One of my own kids was in a class with a friend who had two mums, and that was absolutely normal right from a very young age. I think it's important that we absolutely accept equality in every area whilst at the same time respecting that parents may have concerns about how young their children are when they become aware of these things.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age.
I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
I come from a very normal day job, a very normal upbringing, so I had six or seven years working in an office nine to five in human resources. I had the normal life and kind of thought maybe this is what I'm going to do for the rest of my life but still had that passion and that yearning for music.
I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
Sacrifice counts for a lot in sport. From a young age, I couldn't do the normal things that the boys of my age get to do. Maybe you have a nice car or a nice house, but at times you just want to be a normal guy and you can't.
That was how I was going to get things back to normal-by working. I never thought I would use the words “working” and “normal” in the same sentence, but I'll try anything to avoid facing reality.
August used to be a sad month for me. As the days went on, the thought of school starting weighed heavily upon my young frame. That, coupled with the oppressive heat and humidity of my native Washington, D.C., only seemed to heighten the misery.
When I started listening to Paramore, I was in high school, and they were, like, 15. Seeing somebody at such a young age have that ambition, I thought, holy crap, they were so young. They seemed like cool people, and I really liked the music.
I think Lena Dunham is a very bright and very interesting writer, and what she's accomplished at such a young age absolutely impresses me.
At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.
I'm utterly convinced of the One-ness of Love and us as its perfect reflection. I am absolutely convinced that the world around us is a world of appearances and anyone who wants to can practice it. Change your thought and your environment will change. It's not instantaneous and sometimes we have to work very hard to make what we want happen. Working hard and holding that thought, it will change.
Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.