A Quote by Shirley Temple

I'm not too proud of the movies I made as a grownup except for 'That Hagen Girl', which nobody remembers but which gave me a chance to act. — © Shirley Temple
I'm not too proud of the movies I made as a grownup except for 'That Hagen Girl', which nobody remembers but which gave me a chance to act.
It's easier to be a grownup than to be a kid. When you're a kid, you lie constantly and people are always calling you on it. And when you're a grownup, you lie constantly and people rarely do. Children are constantly being caught. Adults rarely so. Being an adult, you also get a free pass, which means you have to actively be a good person because nobody's around to tell you to do that. Even evil kids will be good when adults are watching. But once you're an adult, no one is. As a grownup, you've got an agency over your own life, which hopefully you use for the greater good and not evil.
He gave me a look at myself I've never had before. He saw something in me nobody else ever did. He made me see it too. He made me believe it.
In Holland, I have got the buzz back playing as a centre-forward, which is where I perform best. Ajax always appealed to me from when I was young and they gave me a chance to play in the Champions League too.
My country owes me nothing. It gave me, as it gives every boy and girl, a chance. It gave me schooling, independence of action, opportunity for service and honor.
I'm so proud of the time I put in the pool, so proud of the people I met along way, just to be asked to do this was exciting for me. I love it when I run into people who remember me from playing water polo as opposed to what I do now, which is an actor. It's rare that anyone remembers me but it's fun when I run into guys that played water polo who, we can speak in terms of water polo and what it was like and how we played, it's the great camaraderie. I was so excited to be asked to be part of this because I'm proud of it. I'm more proud of this probably than I am my professional career.
I didn't have the easiest childhood. I was never the popular girl in school growing up. I was always the lone black girl or the lone fat girl or the long tall girl, so that has made me more compassionate to all people. It also gave me the drive and ambition to go after my dreams in a big way.
I'm really thankful for the opportunity the Marlins gave me. They drafted me in 2010 and gave me a chance to play in the big leagues. I made lifelong friends there, and I've got a lot of great memories.
There is one act par excellence which profanes money by going directly against the law of money, an act for which money is not made. That act is giving.
Again there are so many records which contain fond memories and music and songs of which I have to say I am quite proud. There are a couple of tracks which in retrospect on which I now wish I had pushed the red button, however I'm sure this is true of any artist career that has spanned the number of years that mine has. I do not believe however that I have ever made a bad record and I have certainly never made a record to which I didn't give my complete commitment.
I'm not in sympathy with Communism except for populations which are in a state of peasantry, actually hungry and starving. The ideal state for me is some form of Socialism, which doesn't yet exist, as far as I know, which doesn't repress the arts, or any race. Consequently I'm not a political person ... except that I'm a revolutionary.
Hagen said that no-one remembers who finished second. But they still ask me if I ever think about that putt I missed to win the 1970 Open at St. Andrews. I tell them that some times it doesn't cross my mind for a full five minutes.
Trying to be a socialist and a libertarian is obviously a very difficult balancing act, which nobody has pulled off too successfully in this century.
I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.
Sometimes when you're relegated to your neighborhood, you forget that there's more important things than your neighborhood going on out in the world. And that just gave me a chance to see how life could be. And it gave me a chance to interact with everybody, not just black people or Mexicans. It made me just a little more worldly.
You were made for enjoyment, and the world was filled with things which you will enjoy, unless you are too proud to be pleased with them, or too grasping to care for what you can not turn to other account than mere delight.
The great opportunity with Deadman was that you had a character that nobody had really done anything with - Arnold Drake and Carmine Infantino created the character, which is terrific, but Carmine only did one issue with him - and it gave me a chance to do things that I hadn't seen done in comics all of my life.
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