A Quote by Shobana

When I want to make a creative work, I still have producers of marketing houses dictating to me how I should make a creative video and what sells! If I face that problem, I can imagine how difficult it must be for the rising generation of artistes to find sponsorships.
You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.
There is people who make stuff with words. There is people who make stuff with programs. And I really believe that that whole creative culture, people didn't realize how creative programming is. And anybody who's done it of course knows that not only is it creative, but it's incredibly absorbing.
For you to make your creative work creative, you must seek creativity from the creator.
But we must be so creative, trying to simulate the game. How can I make the players, when one is there, another is over there, and another is 20 metres further away, think they are playing a football match? And how can they do tactical work and organisation? It's an interesting test.
That's the fun part of it all. You get creative when you're in Little League. You're creative when you're in middle school. You're creative in high school and college. And then when you get to the league, this position, the more mobile quarterbacks, we have a tendency to want to become traditional and nervous and panicky in how we want to call plays and put guys in position to make plays.
My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.
Telling people how to be creative is easy - being creative is difficult.
To make a record requires a strategy; it's not just throwing somebody in the studio and seeing how it goes. Some artists are self-contained, but they still need advice about producers and collaborations and single choice. They need an army and a perspective and creative friction, because nobody has all the ideas.
I just find it weird if you're in a band and you don't know how to make it look the way it sounds. You really need to be involved with the entire creative process in order for it to totally work.
The problem with an autobiography is that all these extra factors make it difficult. You don't want to hurt people's feelings. You don't know how much you can trust your memory. You don't want it to be self-serving. And you have all these issues about how to present yourself. All these factors make it harder to do than a novel.
Creative freedom is determined by how we behold the world. Any one of us can make new things with our perceptions that serve as doorways to the creative imagination. No one is excluded.
Everyone is creative, but me and my colleagues are using a different definition of creativity than is implied when people say they are not creative. We believe that people are being creative if they are bringing out their highest inner resources to improve their lives and those around them. Those who are living from their core, and doing what they are destined to do, are being creative, no matter how mundane their work or profession might seem.
It's embarrassing to tell you how much my friends make fun of me. Seriously, when you have a doll made of your face, it's ridiculous how creative your friends can get... pictures, videos, little animated cartoons that they've made.
We frequently hear how essential it is for someone to think "outside the box," but what actually determines one's facility for doing so? In other words, what skills make someone a creative thinker? Typically, creative thinkers can view issues from multiple perspectives, define problems in several different ways, and anticipate likely obstacles. Someone's aptitude for these skills determines how well he or she will perform as a creative thinker.
In the end, there is no ideal condition for creativity. What works for one person is useless for another. The only criterion is this: Make it easy on yourself. Find a working environment where the prospect of wrestling with your muse doesn't scare you, doesn't shut you down. It should make you want to be there, and once you find it, stick with it. To get the creative habit, you need a working environment that's habit-forming. All preferred working states, no matter how eccentric, have one thing in common: When you enter into them, they compel you to get started.
If you want to think new thoughts that are different, then do what creative people do - get the problem reasonably clear and then refuse to look at any answers until you've thought the problem through carefully how you would do it, how you could slightly change the problem to be the correct one.
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