A Quote by Shobana

The good thing about Indian dance is that it relies a lot on communication. There is nothing that can't be communicated by Bharatanatyam. — © Shobana
The good thing about Indian dance is that it relies a lot on communication. There is nothing that can't be communicated by Bharatanatyam.
I always refer to Bharatanatyam as the 'now prevalent form of Bharatanatyam' in my interviews. The style changes from generation to generation.
I don't have any answers as to whether the Internet is a good or a bad thing, but it's certainly an important thing for the novel because novels are so much about communication, and when communication changes, the novel has to change.
Students of Bharatanatyam or any other dance form, for that matter, are artistes first.
I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.
I feel like a lot of Indian fans don't know about my Indian background, so it's funny online that a lot of fans call me this Pakistani dude. No, I'm Indian, too.
I would cringe when asked to dance. I still remember having to wake up early from Class VI to learn Bharatanatyam. I hated it.
If Bill jumps into something that relies on a lot of cymbals, I'll jump into something that relies on a lot of skin sounds; if he goes into metal tones, I'll go into wood, and so on. I basically play in his holes.
The organizations that I've worked with, whether I have gotten cut or whether I have excelled, the always communicated with me honestly and openly. The ones that weren't so good, the communication was iffy.
I had trained a bit in Bharatanatyam in the past but did not learn in depth. The same goes with jazz, western, and cinematic dance, as I was quite laid back with the training.
But communication is two-sided - vital and profound communication makes demands also on those who are to receive it... demands in the sense of concentration, of genuine effort to receive what is being communicated.
I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
The only thing I wish was happening more was that there were more Indian characters. Like the movies with leads that are Indian and they talk about Indian culture versus Americanized Indians.
If what is communicated is false, it can hardly be called communication.
The odd thing about this form of communication is you're more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many... somethings. So, thanks.
CIVILISATION is not to be judged by the rapidity of communication, but by the value of what is communicated.
Everyone calls himself a friend, but only a fool relies on it; nothing is commoner than the name, nothing rarer than the thing.
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