A Quote by Shobana

I like the idea of seeing myself animated and caricatured. — © Shobana
I like the idea of seeing myself animated and caricatured.

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People ask, like, 'How are you going to incorporate what you do onstage into everything else?' I'm not too worried about that. Whether it's theater or a TV show idea, or an animated thing or, I don't know, an animated screensaver. I really just want to keep creating things. And I've always been able to do that.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.
I love the writing. I love the idea of typing and seeing it on the computer and printing it out myself and, you know, moving sentences around. I like that.
Maybe I'm seeing myself in a different way than the people in the audience see me, 'cause to me, I think I look like a ballerina and I feel like a ballerina. But maybe I'm not seeing what other people are seeing.
I just love the idea of never seeing a city before and seeing the glow in the distance, and it just looking frightening, like you're driving into a fire.
I have an investment in not being crazy. I have a real investment in seeing things straight. This runs counter to that investment, so it required giving up an idea of myself, the idea being that I had control.
I don't like seeing myself on screen. Whenever I see or hear myself, I think, 'What is that eejet doing now?' I'm in the wrong business. I don't like the limelight.
I'd like to continue being involved with issues that animated my time as attorney general - criminal-justice reform and civil rights especially. I don't just want to give speeches; I'd like to involve myself in this work in a systematic way.
I like the idea of seeing Krishna as a baby, the way He's often depicted in India. And also Govinda, the cowherd boy. I like the idea that you can have Krishna as a baby and feel protective to Him, or as your friend, or as the guru or master - type figure.
If I don't like seeing myself on the screen, I think when I start seeing that, that's when I think I'll stop.
I feel sorry... for people who've had skinny privilege and then have it taken away from them. I have had a lifetime to adjust to seeing how people treat women who aren't their idea of beautiful and therefore aren't their idea of useful, and I had to find ways to become useful to myself.
I'm a huge fan of the animated film 'The Land Before Time' and that was one of my favourite animated films when I was growing up.
The most important lesson I've learned is to not limit myself. Kids at my age often get intimidated by the idea of adulthood and feel like they have to know exactly who they are and what they want to do with their lives. I've realized that it's okay to take my time figuring it out and exploring different aspects of myself instead of fixating on one idea of who I am.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
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