A Quote by Shobana

Bharatnatyam is defined in many ways and everyone has an opinion. But I see it as a consummate art - a kind of fifth Veda. — © Shobana
Bharatnatyam is defined in many ways and everyone has an opinion. But I see it as a consummate art - a kind of fifth Veda.
You never know about the art world because it's a matter of opinion. If you look at old art like Rembrandt and Vermeer, it's not completely a matter of opinion. The pictures confront you, and you see exactly what it is. In modern art, a lot of it is suggestive, and it becomes a matter of opinion.
Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
When I went to the Hall of Fame in 2000 and was inducted, it was a travesty the kind of carnage I saw out of these guys who were in their 50s and 60s, who had defined and in many ways laid the foundation for the NFL being what it is today.
Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly. Twitter, videos posted online - how do you utilize that? How do you identify yourself as an individual when you're sitting at this massive dinner table of the world with everyone on, from Kansas to Dubai?
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.
We live in capitalism, and capitalism is defined by the production line, and the production line is defined by specificity. If you see yourself as an artist, which I do, then you can't be limited by that. You can't let somebody tell you, 'Well, you can only draw this kind of picture or write that kind of book.'
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
Many young people now end a discussion with the supposedly definitive and unanswerable statement that such is their opinion, and their opinion is just as valid as anyone else's. The fact is that our opinion on an infinitely large number of questions is not worth having, because everyone is infinitely ignorant.
The people at my label are always endorsing what I say. They say, 'You see the truth, so speak it.' They believe in me. They respect my opinion. At least I have an opinion, and I'm not trying to play it safe. I don't go around saying, 'I think everyone is great, and the world is fantastic.' Everyone has opinions. They just don't say it.
At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
The great art of the past became great because it started to go out of the perimeters that defined art and defined new territories.
My fifth record is, in many ways, inspired by the hugely ambitious progressive pop records that I loved in my youth.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
Many times, that's how people see Christian art or Christians making art: They see the art as having an agenda.
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