A Quote by Shobana

By the way, all the major awards that I have won are for so-called commercial movies. — © Shobana
By the way, all the major awards that I have won are for so-called commercial movies.

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Because all the movies that we tell ourselves we can't make - ballets, westerns, dramas, everything that are the hardest things to make - those are the movies that are not only winning awards which is fantastic, but also those movies that are commercial. We won't see a fascinating season like this for a while.
I wake up every morning bolt upright, whether it's a commercial, not that that's a good thing or a bad thing, because I shoot commercials in between movies. But whether it's a commercial or a movie where I'm shooting a major train wreck, the thing that worries me most is when I'm doing a performance thing.
I've never really topped myself, because awards in themselves really don't reflect major accomplishment. It's kind of a strange, backslapping ritual that we go through in this town where you get awards for almost everything. For surviving the day you're going to get awards.
I am never disappointed in life in not getting any awards: it is the movies which keep me going, not the awards.
The one place you don't want to wear shorts is any major awards show. You can wear them to the Teen Choice or Kids' Choice awards, but not the Oscars or the Emmys.
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I think you do independent movies because you're looking to cut away from commercial movies.
The so-called "remake" is simply a commercial formulation of a much deeper exchange which accounts for the way cinema is what it is.
I like studio movies; I love big commercial movies.
I enjoy doing commercial movies... the singing, dancing, romancing. I really look up to those movies.
Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.
It is kind of nice for when people appreciate what you have done, but I would not base my career on awards because they are mostly popular awards and not talent-oriented awards.
I have done a Hamburger Helper commercial, a Hardees commercial, a McDonalds commercial. American Express commercial.
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