A Quote by Shobana

I realized that I didn't know much about Krishna. I wondered how he became an icon. So I met archaeologists and read up more on him. — © Shobana
I realized that I didn't know much about Krishna. I wondered how he became an icon. So I met archaeologists and read up more on him.
For Krishna to be such an international icon, so to speak, means there are various perspectives on him. Saints, philosophers and historians have their own take on him. While reading about their perspectives, a story took form in my mind and that's how 'Krishna' happened.
No matter how much money you've got, it doesn't necessarily make you happy. You have to find your happiness with the problems you have, not worry too much about them, and chant Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare.
"In the beginning was the word" and that's the thing about Krishna, saying Krishna, Krishna, Krishna, Krishna, so it's not the word that you're saying, it's the sound: Krishna Krishna Krishna Krishna Krishna Krishna and it's just sounds and it's great.
Why should God be limited? Even if you get Him as Krishna, He is not limited to that picture of Krishna. He can be the baby form, He can be Govinda and manifest in so many other well-known forms. You can see Krishna as a little boy, which is how I like to see Krishna. It's a joyful relationship.
I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.
Before I would view Rob Reiner as this really annoying pest. Every time he'd come on TV or talking about smoking, I found my blood pressure go up. I just met-really met Rob for the first time last week and told him how much I admire him. He's done more than anyone else in the industry.
She saw him the first day on board, and then her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him.
I guess what I'm trying to say is that Eric Bischoff doesn't know that much about wrestling. This guy was selling meat out the back of a truck and became a ring announcer for Verne Gagne and I've always wondered how he ever got a job.
I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.
All archaeologists in Israel and Palestine make use of the New Testament Gospels. They do this because the Gospels exhibit verisimilitude. In short, the Gospels help archaeologists know where to dig and they help archaeologists understand what they unearth. The 2nd-century Gospels and Gospel-like writings rarely exhibit verisimilitude, so archaeologists rarely appeal to them.
Sometimes, immersed in his books, there would come to him the awareness of all that he did not know, of all that he had not read; and the serenity for which he labored was shattered as he realized the little time he had in life to read so much, to learn what he had to know.
I'm probably not 100 pounds anymore, but around there. I definitely got obsessed with my weight. When I met my husband and realized that he could put on 50 pounds and I'd still love him, I realized that's how he sees me or at least how he should!
I wondered how television worked. I thought about how an interior decorator decided on colors and styles. I wondered, when babies tarted learning how to walk, if they didn't know that that couldn't walk.
I heard about Bhagavad Gita very early in my childhood, from the age of five onwards. It was one of the earliest things I started to read when I started to read. And it was very much a part of my consciousness. In the beginning, I saw the "Bhagavad Gita" as a text that was very classical, much like the "Iliad" and the "Odyssey" - a mythical saga that showed the eternal conflict between good and evil. But much later, as I grew up, I realized that it was much more than that.
When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
I did several shows with Jimi Hendrix, that's when I got to know him better, I knew of him, I met him [when he was playing] with Little Richard... And he was kind of quiet, shy, he didn't open up too much, but there were questions as we all ask each other. You know, "how do you do this" and "why do you do that..." We had very small discussions on things like that. And he was very polite, I thought [he was] a very nice guy.
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