A Quote by Shonda Rhimes
I think I'm most proud of the fact that I have figured out how to exist as both a creative person and artist, and a businesswoman and manager. Because those two things do not go together.
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It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.
Do you think of yourself as a creative personality? If you do, you are both fortunate and correct, in fact the beautiful truth is that everyone is creative and we all have the ability to develop our creative potential. It is wise to remember that the person who follows the crowd will get no further than the crowd. The person who walks the creative path is likely to find they are in places no one has ever been before.
I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?
My advice to young people in the wrestling business would be to repeat such questions to yourself as: "How am I standing out? How am I getting recognized? How am I getting over?" And if you don't have definitive answers for doing those things, you are doing it wrong. It is, essentially, on them. There is no right way to do it, and that's one of the great things about this business because you can be creative. People who say they have it figured out are wrong.
I'm not very eloquent about things like this, but I think that writing and photography go together. I don't mean that they are related arts, because they're not. But the person doing it, I think, learns from both things about accuracy of the eye, about observation, and about sympathy toward what is in front of you... It's about honesty, or truth telling, and a way to find it in yourself, how to need it and learn from it.
He didn't come out of my belly, but my God, I've made his bones, because I've attended to every meal, and how he sleeps, and the fact that he swims like a fish because I took him to the ocean. I'm so proud of all those things. But he is my biggest pride.
I think functioning as a business manager can be a hindrance to having a real dialogue with the artist. I do think that artists need good lawyers and accountants, because they're dealing with serious money. But an artist who stands behind a manager? That's a little different. I think that can be a bad buffer.
If we change in different directions, then we don't have any future anyway, do we? I think it's possible for two people to change together, to grow together and enrich instead of diminish each other. The sum of one and one, if they're the right ones, can be infinity! But so often one person drags the other down; one person wants to go up like a balloon and the other's a dead weight. I've always wondered what it would be like if both people, if a woman and a man both wanted to go up like balloons!
Sometimes the manager actually is the glue that holds everything together, and when you take that manager out, sometimes that's when things start to go really wrong.
Truth and love are two of the most powerful things in the world; and when they both go together they cannot easily be withstood.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I was stupid enough to think that we ought to speak the truth about each person eulogised, and to make this the foundation, and from these truths to choose the most beautiful things and arrange them in the most elegant way; and I was quite proud to think how well I should speak, because I believed that I knew the truth.
I haven't figured out how to do anything yet besides recording music - I don't even entirely know how to do that. My favorite phrase is "It takes a lot of imagination to have no talent." So it's a struggle because I struggle between thinking about whether or not I'm actually a musician, am I actually an artist. Does it matter what I'm doing? Should I just go and jump off a bridge? Thinking about the social hierarchy and the fact that I'm American, and how I don't identify with being American, nor do I identify with any nationality or my race.
But, something has to be worked through formally as well as emotionally. Now, when those two things come together I've got something, I think, that I can be proud of.
I've said numerous times how proud I am to be Scottish and how proud I have been to compete for Britain, too, and I don't think these two things necessarily have to be mutually exclusive.
There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.
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