A Quote by Shonda Rhimes

We have people say, 'There's not enough women writers.' I have a writers room that is almost nothing but women over at 'Grey's Anatomy.' — © Shonda Rhimes
We have people say, 'There's not enough women writers.' I have a writers room that is almost nothing but women over at 'Grey's Anatomy.'
If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women.
My female writers have always been my backbone. I had a writing room of six women for five years so I know what women do. Cultivated by me, by the way!
Some of the writers I've praised are Sara Paretsky, Val McDermid, Elisabeth George and Minette Walters. Strangely enough, almost all are women.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.
A lot of what you're seeing these characters go through is something that either is a story one of the actors told in the writers' room or one of the writers themselves told in the writers' room.
My favorite thing to do is rip the covers off a script when reading for writers to hire and make everybody read without names on the covers of the script. I can't tell you how many times my writers, women and men, will pick people of color and women much more often than they would with a cover on the script.
Lots of shows are written completely in the writer's room. And I wouldn't say 'The Walking Dead' is that way. There are three levels to it. There's us in the room. The writers going off by themselves. And me working with the writers on a finished script.
Often, as a young actress, you find yourself being the only girl in a room full of men... and one of the reasons why I like 'Grey's Anatomy' is because they have such strong female characters and the women really drive this show.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
We have to hear the stories of women at all ages of their lives in order to really present a picture of what it felt like to be alive in our time. That's what our job is as writers is to present that and create it. Our job as writers isn't to make as much money as we can. Our job is to create a record of this time. That's why if you leave out women and the stories of women, we failed at our mission. All of us. Men and women.
When I look at the list of my favorite works, writers who are women do tend to outnumber writers who are men for whatever reason.
Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.
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