A Quote by Shonda Rhimes

'Grey's' has this universal, global thing to it. It works all over the world. — © Shonda Rhimes
'Grey's' has this universal, global thing to it. It works all over the world.
The fiat-based system has produced enormous global imbalances that are straining the global economy. Ultimately, I think the whole thing gives way and what returns is what existed prior to the dollar standard, and that is a global gold standard, which is the only thing that really works.
Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.
I still don't understand why you don't mention the family charitable foundation, the Clinton Global Initiative. The Clinton Global Initiative is actually like a Morning Call for women all over the world. When the Clinton Global Initiative comes, that's a signal to women all over the world to come to New York.
Quit calling me Grey. It makes me sound like I’m a boy. Like Dorian Gray.” “Dorian who?” I sighed. “Just think up something else. Plain old Nora works too, you know.” “Sure thing, Gumdrop.” I grimaced. “I take that back. Let’s stick with Grey.
The wonderful thing is, imagination is universal all over the world, no matter what the language is.
WWE is a global brand, and it's a global company. So, we want to have superstars from all over the world.
Our world is integrated to an unprecedented degree, while the global political awakening is injecting into interstate relations an intense amount of tension, emotion, even irrationality, which could cumulatively produce circumstances that preclude an effective and genuinely shared universal response to new global problems.
Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
Climate change and energy use are global problems - News Corp is a global company. Our operations affect the environment all over the world.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
That's why I felt so at home when I went to Africa. It didn't matter that I was halfway around the world in a foreign country, because all those elements are universal. And I think that's one thing about my work: It's universal.
In a world of global dependencies with no corresponding global polity and few tools of global justice, the rich of the world are free to pursue their own interests while paying no attention to the rest.
Our approach was very simple. It was about creating a universal language. A show that will be attractive toward every people coming from all over the world. And that was a big thing.
This business of saying the same thing over and over and over again – which to a lot of Washington insiders and pundits is boring – works.
The old 20th-century political model of Left vs. Right is now basically irrelevant, and the real divide today is between global and national, global or local. All over the world, this is not the main struggle.
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