A Quote by Shoshanna Lonstein Gruss
Honestly, in the beginning what I imagined was driving around the country with my samples and showing them to the stores that I thought I should be in. Road tripping that is really what I wanted to do. Then I was like, 'Damn it. I have to work every day.' I don't like this, but I got used to it.
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I like dressing in designer clothes, and it's hard to buy them if you are overweight. And I got tired of, like, going in the stores, and then it was like I couldn't fit in anything. And overall, I wanted to be healthy.
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore. So once it got to there and I also knew more about the business and I thought, "I can't do this anymore."
I felt like Twitter was more of a place for people to just socialize instead of promoting. After I got off, I realized I could have used that energy and that lane to really promote some positivity. I had 35,000 followers before I left. I was like, "Damn those were 30,000 consumers." It kind of twisted my whole thought process so I got back on. I realized that I have a voice that people wanted to hear.
I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
There's all these stores all over the country and a lot of them are small but they're like little Aladdin's caves full of exciting nooks and crannies filled to the brim with products. Then you've got Hobbycraft, which is like a supermarket for crafts. What we want to be is a hybrid between the two.
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
I just remember one girl really getting me on the field and beating the holy crap out of me. I never to this day know why. And then people used to be funny because we were on welfare. People used to make fun of you. But I used to get school dinners so I thought it was great, I got a hot meal every day.
The guys in high school were like, "You've got a nice voice; you should keep singing," but I never honestly thought that one day I'd be a singer. When you're young, you don't see the signs.
At the end of the day, I got involved in all this because I enjoy driving cars and driving them as fast as possible. If I was going to be remembered for anything, I would like it to be for that.
When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
We hear every damn day about how fragile our country is - on the brink of catastrophe - torn by polarizing hate, and how it's a shame that we can't work together to get things done, but the truth is we do. We work together to get things done every damn day!
Honestly, in life you should take situations day by day. You never know what comes your way. I just like to go along with my instincts and be a part of the kind of work I like.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore.
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