A Quote by Shraddha Kapoor

I'm never happy with the work I put in. No. I need to be told by my director and people around me that it is fine. Otherwise, I'll even go, like, 'One more take.' — © Shraddha Kapoor
I'm never happy with the work I put in. No. I need to be told by my director and people around me that it is fine. Otherwise, I'll even go, like, 'One more take.'
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
I'm not a famous director yet, and I'm not into fame. I like to just work. As a director, as an actor, whatever people consider me is fine with me.
My ideals told me that men and women could both go out to work and be truly equal. My children told me something more complicated, something I really didn't want to hear. Their need for me was like the need for water or light: it had a devastating simplicity to it.
I don't need to put jewels on to make myself feel important. I'd rather drop them for the benefit of less fortunate people. I don't need to put gold on my body, and I'm not criticizing people who do, but for me, I'd rather be around my family and see them be happy because that's worth more to me than gold.
I'm doing my best. I read in the paper that I'm an action director. They always say that, "Action director Walter Hill", if they bother writing about me at all. I think that's fine. I'm happy to do the work.
In chaotic situations, I feel like I can take a breath and look around and assess the situation and see the big picture. Going through the traumatic time that I did in my life, that's also given me even more of a breather in life to just be like, "I know everything's going to be fine. Even if this is the worst show in the world, no matter what happens, everything's going to be fine." It's an accumulation of things.
The more I think about the Olympics, even from afar, its mere concept stuns me. I can't think of any other line of work where, every four years, people gather to be ranked one, two, and three, then are more or less told to evaporate until the next go-around.
My parents even let me switch schools, to leave my regular school to go to the producer's school, because I told them producing is what I love to do, and it makes me happy to share my music and my passion with others. I was dreaming to go to that school. I begged them. They were like, 'Yah, know what? If you are happy, we are happy.'
Your job, as an actor, is never to just do what you're told. That's boring, and life is too short. It's your job to bring something, and it will either be to other people's taste or your own taste, and you have to try things out. Actors say, "Well, as long as the director's happy," but I don't believe that and I don't agree with that. I want the director to be happy, but if I'm not happy, I won't sleep at night.
It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like. Maybe that will always keep me an outsider, I don't know. But that's fine.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
My parents raised me to never feel like I was entitled to success.That you have to work for it. You have to work so hard for it. And sometimes then you don't even get where you need to go.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I grew up in Hollywood. My father always told me that this is a job. These events are filled with people you work with; it's not like glam-schmooze time. That's why I only like events that celebrate people I have a connection to; otherwise, it's someone else's night, and I don't need to show up in a dress to try and steal their attention.
I've told my agent to push the idea of me as a director for hire off the table. Otherwise, we're wasting people's time.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
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