A Quote by Shraddha Srinath
I was looking to be a part of commercial cinema and that was when I signed 'Jodi.'
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I am the last person who has any judgement about any kind of cinema, least of all commercial cinema because I am a product of commercial cinema.
When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.
I wanted to be a part of commercial cinema.
Like Narendra Modi-Amit Shah's jodi in Delhi, Sanjay Tandon and I have a jodi in Chandigarh.
The Prosenjit-Rituparna jodi is a huge contribution to Bengali cinema as we have delivered several hits.
I did my part. I signed it for UFC 205 in New York. I signed my part, and Julianna turned it down. She didn't want to fight that time, but I don't care about this because I am a fighter, and if she don't want fight, we was looking for another opponent to make fight.
I'm really pleased to have signed with Activate Management and am really looking forward to exploring my commercial opportunities with them around the world.
People know that I have a great love for cinema. Not just for commercial cinema, but for the “cinema d’auteur.” But to me, two of the great “auteurs” are actually actors and they both happen to be French. One is Alain Delon and the other is Jean-Paul Belmondo.
I'm trying to do work that makes meaning and sense to me and the audience. But I have no qualms. I'm always willing to be a part of commercial cinema.
I would like to be part of sensible cinema, irrespective of whether it is a commercial or niche film, but it doesn't always pan out like that.
I grew up on the commercial film format. I have grown up all my life watching films and they have all been mainstream commercial cinema.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
I was a complete anomaly in this business. I didn't fit into the Hema Malini-Zeenat Aman commercial cinema mould, neither the Shabana Azmi-Smita Patil art cinema mould.
Cinema is not Bible writing. It doesn't teach you morals, good values to live. Cinema is not meant for that. If you're looking at cinema that it'll tell you good values then you're mistaken.
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