A Quote by Shreya Ghoshal

It’s very difficult for me to appreciate my own songs as I criticise them a lot. — © Shreya Ghoshal
It’s very difficult for me to appreciate my own songs as I criticise them a lot.
There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
In Korea, if a player doesn't play well, you would never criticise him, but in European countries fans criticise their own teams; sometimes they boo them off the pitch.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
The easiest thing I do is assignment songs. They tell me what they need me to write. I can do that fairly quickly. Writing for an orchestra is difficult. Writing songs [on your own] is most difficult of all. Though [writing for] the orchestra is close.
All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
It seems to me that the real political task in a society such as ours is to criticise the workings of institutions, which appear to be both neutral and independent; to criticise and attack them in such a manner that the political violence which has always exercised itself obscurely through them will be unmasked, so that one can fight against them.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
It is difficult for people to appreciate their own laughter unless you show them some pathos along the way.
Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.
I've sung a lot of emotional songs, but when you're writing it's very difficult to decide what to reveal.
Someone has said it is better to appreciate the things you don't own than to own things you don't appreciate. I hope we will have with us a spirit of appreciation for all of the good things we enjoy, all the blessings that we have, many of which have come so easy to us, with very little effort on our part, and yet they are very real and very choice and are truly rich blessings.
You know, I've sung a lot of emotional songs in my life, but when you're writing it yourself, it's very difficult to decide what to reveal.
Most of the people you see me working for me are actually with me. And I'm proud to say that I've known them for 20 years almost. I've written songs with, produced songs with them a lot of times. I don't deviate form my comfort zone. I feel like when God brings people to you, it's good to keep 'em around.
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
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