A Quote by Shreyas Iyer
I am very happy. And also, I want to come out to bat in this kind of tough situation when everybody in the dressing room is nervous.
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I was really happy with the 2,000th hit, because before the at-bat, I wanted to make sure my uniform looked good, my socks looked good. I made sure that way, if there's a highlight, I at least look my best. It was a really good at-bat. I was very happy, because the pitcher was throwing very tough pitches that at-bat.
I remember the days of auditioning and being nervous and so I really didn't want to make people have to jump through hoops to do auditions and be nervous and make them more nervous. I kind of wanted to hire everybody and find something for everybody.
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
I like to watch and perform the kind of comedy that comes out of the situation - where the character is really serious and in a tough situation and doesn't realize that the situation is comic.
I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.
I played in Spain, and we also had a very good dressing room, and I won a lot of things. So I think that in my experience of being in dressing rooms, it's so important to have a really good group.
I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
I've come to a point where I am less nervous when I am supposed to start a film. I am still super nervous on the day but I've lost a lot of my fear about what kind of perception people have about my film.
It was kind of a hard lesson when I figured out that not everybody is going to be kind, be sweet. So I've learned that I am never going to make everybody happy. There's always going to be someone who can't stand the way I write, and I can't take that personally.
Professional courage is the steel fiber that makes an NCO unafraid and willing to tell it like it is. The concept of professional courage does not always mean being as tough as nails, either. It also suggests a willingness to listen to the soldiers' problems, to go to bat for them in a tough situation and it means knowing just how far they can go. It also means being willing to tell the boss when he is wrong.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
When I come out of my dressing room, I go to my heart and say a little prayer and go out on stage. There I am, coming to lift you up and to motivate you. I want to bring joy. It's gospel, and gospel is the truth. It's what I do. I'm going to bring you the truth and lift up your spirit.
My process is walking down to the locker room, laying everything out to how I like it. I'm very particular about setting up my bags and my dressing situation. I love to pull out that portable speaker and blare music even if nobody else likes it. To me, its just keeping everything the same every single night.
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