A Quote by Shreyas Iyer

Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers. — © Shreyas Iyer
Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers.
Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots.
There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.
There are really at least two Indias, there is an India or a shining India the one which the west seas usually through urbanize and there is an India outside some of the big metro policies and in even the tier two cities and in rural India which is completely different. It goes by the name of Bahar which is a traditional name for India.
Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.
Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time
An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.
I think of all my iron shots as punches - not punch shots, but how much pressure I'm applying to the hit.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.
I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.
I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.
When all your teammates make shots, it's easy to get assists. Nobody feels the pressure to score. It makes the game so much easier.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
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