A Quote by Shriya Pilgaonkar

Audiences are open to experimentation these days - that's a boon for me. — © Shriya Pilgaonkar
Audiences are open to experimentation these days - that's a boon for me.
Ah, then, upon my bedroom I do draw The blind to hide the garden, where the moon Enjoys the open blossoms as they straw Their beauty for his taking, boon for boon. And I do lift my aching arms to you, And I do lift my anguished, avid breast, And I do weep for very pain of you, And fling myself at the doors of sleep, for rest.
The Internet is a big boon to academic research. Gone are the days spent in dusty library stacks digging for journal articles. Many articles are available free to the public in open-access journal or as preprints on the authors' website.
I have found that children are the most open-minded of all my audiences. They are not set in their ways. They are open to ideas.
My strongest audiences are in Germany and France - they stuck with me through my dark days in the '70s.
Risk in art is experimentation. There is no sorrow in self-driven experimentation.
In the early days of aviation, there was a great deal of experimentation and a high death rate.
This is a place where you really are what you achieve in Houston, and that's a tremendous boon to this town. I think you'll find people who have succeeded because of that kind of open culture.
I played few hero roles in the initial days of my career, but audiences loved me for my comic timing and, therefore, I later turned comedian.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
As I stood outside in Cow Lane, it occurred to me that Heaven must be a place where the library is open twenty-four hours a day, seven days a week. No ... eight days a week.
I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.
We have three approaches at our disposal: the observation of nature, reflection, and experimentation. Observation serves to assemble the data, reflection to synthesise them and experimentation to test the results of the synthesis. The observation of nature must be assiduous, just as reflection must be profound, and experimentation accurate. These three approaches are rarely found together, which explains why creative geniuses are so rare.
I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.
I love interaction with audiences. If were my choice, I would spend most of my time interacting with audiences. Walking around and asking them to challenge me.
Being single I feel is a boon - why do you guys want me to push me into hell by getting me married?
...Nameless, unknown to me as you were, I couldn't forget your voice!' 'For how long?' 'O - ever so long. Days and days.' 'Days and days! Only days and days? O, the heart of a man! Days and days!' 'But, my dear madam, I had not known you more than a day or two. It was not a full-blown love - it was the merest bud - red, fresh, vivid, but small. It was a colossal passion in embryo. It never returned.
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