A Quote by Shriya Pilgaonkar
In my latest 'Mirzapur,' I had no pressure actually to match up the level of other people in terms of performance because all of our characters were well-written. So there was no sense of insecurity.
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I actually really liked 'The Help.' I know that may not be a popular thing, but I thought it was a solid film. It wasn't 'Roots.' It wasn't 'The Color Purple.' But you couldn't pick it apart in terms of storytelling, and I thought the characters were well written.
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
Being part of The L Word made me realize how much more television can be that what I had experienced in my lifetime in terms of being able to be of service to people. I had so many fans come up to me who were really deeply appreciative of the show and what it had meant for them and their own sense of identity and their own sense of inclusion in our society and in our culture.
All my early books are written as if I were Indian. In England, I had started writing as if I were English; now I write as if I were American. You take other people's backgrounds and characters; Keats called it negative capability.
We were not a hugging people. In terms of emotional comfort it was our belief that no amount of physical contact could match the healing powers of a well made cocktail.
I had more pressure when I competed in Moscow. I had no pressure in Montreal because I only went to do my routines and hoping I didn't mess it up when I was on the bar. When I came back, 10,000 people were at the airport and I thought, 'Why?' because, in my mind, I hadn't done anything different from what I used to do in my gym.
We were on As the World Turns together with Trevor Vaughn. We played brothers on the show. Our friendship started there. We would punch each other in the face, in the nuts, while we were acting. Our characters are supposed to hate each other, but we actually got along really, really well.
My all-time favorite match that I've ever had was against Kyle O'Reilly in 2012, the 'hybrid fighting rules match' where we were bleeding buckets all over the place. And it was really a match that took my career to the next level.
Playing dysfunctional characters or crazy characters is only fun if they're well written. So I have been lucky enough to be asked to play crazy people who are very well written.
I saw all that [white trash] growing up in Alabama and Georgia. I had a group of country cousins and we'd go visit them when I was a kid. They lived on a red dirt Georgia back road, in a shack, with twelve kids. Farmers. No electricity, they had a well on their back porch, but they had nothing, yet they were the happiest, freest people I'd ever met. I loved to visit them. Great sense of humor, and they kept up with all the latest music, country, rockabilly, that stuff. Great food they grew in the fields and canned. Happy people.
Great achievement often happens when our backs are up against the wall. Pressure can actually enhance your performance.
The history of civilization could actually be written in terms of the level of its women.
In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
All the other characters are so well-rounded, and it's just frustrating because female characters aren't. It's not that they're badly written, they're just underwritten. They have no internal monologues; they could be absolutely anyone.
I've known Kyle O'Reilly since 2009. Me and him actually met each other when we had our very first match against each other for Gabe Sapolsyky's DragonGate USA show. Me and Kyle went in there and we had a match that kind of made waves throughout the independent scene as far as us getting our names out there. We both got signed to Ring of Honor at the exact same time.
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