A Quote by Shriya Pilgaonkar
The British series I was part of, 'Beecham House,' directed by Gurinder Chadha, was set in 1795. That was also an incredible experience, just to see the kind of research that goes into recreating that time period.
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My first British film was Gurinder Chadha's 'Bend It Like Beckham,' which was a huge international success.
Working with directors like Gurinder Chadha was a learning experience for me.
I'd say Bridgerton' has definitely changed my life. But not only in the things that have come from the job, but also just the experience of it and meeting the most incredible people; just learning so much from working so hard for that period of time.
In 1998, I set up and directed a research group at the Nanotechnology Institute newly created in the Research Center of Karlsruhe. This allowed to offer to former post-doctoral coworkers the opportunity to develop and to progressively set up independent research activities in nanoscience and nanotechnology.
Who knows whats going to happen with whole Internet Web series thing. I mean, obviously people are spending a lot more time on their computer.The great thing about it is so many short films have been done over the time and there is not a real, there is not a venue for them because everybody goes to see a feature length film so it really is a great vehicle to do these kind of short creative pieces, so its kind of fun to be a part of that and kind of see what can happen from that. But trailblazer, I don't know. I mean, that's a pretty fancy word.
Television always carried me: be it at my beginnings in small series and telefilms, or through my success in Kasamh Se and Bade Acche Lagte Hain. Thanks to TV, I saw an incredible dream come true: I could incarnate good and bad people, share my joys and pains with the audience, but also be part of this incredible medium that can educate and entertain at the same time! And with new TV platforms, the journey has only just started.
It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.
Often I'll do research just to get a time period correct, but I didn't have to for the '70s... I feel like I can close my eyes and still see it so clearly.
There was a long period of time when Sam Fuller had a lot of projects fall through and had a lot of difficulties getting a project off the ground. And I was able to observe him during that period, and see his incredible resiliency and courage as he faced this difficulty and just kept working.
Sometimes, when I play music, I feel as if I am giving life. ... It isn't just notes on the paper anymore: you are recreating the thought, transmitting it. It becomes shareable, but it can never be kept. You go through and at the same time you let go of the experience. That is part of the wonder of music: it can never be kept; it is ephemeral and at the same time enduring.
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
Addicts have incredible energy, it's just all directed toward one goal. But what incredible luck and grace addicts have. You hear about it all the time, getting into some kind of crazy situation in order to get drugs or to get money for drugs, pulling off something where they fall from a building and land on a truck full of pillows. It's incredible will, and if you learn to focus that will on getting better instead of getting worse it's amazing what you can do with that. You can use that strength and resourcefulness for something real instead of scoring dope in a desert.
There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it. The first visitor has an easier time, but I think the second visitor sees more.
Period dramas have their own challenges. One must work hard to ensure that you don't just embrace the character you are playing, you also have to understand the smaller nuances of the period to deliver an authentic experience.
I love research. Sometimes I think writing novels is just an excuse to allow myself this leisurely time of getting to know a period and reading its books and watching its films. I see it as a real treat.
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