A Quote by Shriya Pilgaonkar

Every element contributes to building a character and I'm especially fascinated when it comes to recreating period looks. — © Shriya Pilgaonkar
Every element contributes to building a character and I'm especially fascinated when it comes to recreating period looks.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
Each celestial body, in fact each and every atom, produces a particular sound on account of its movement, its rhythm or vibration. All these sounds and vibrations form a universal harmony in which each element, while having it’s own function and character, contributes to the whole.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Every problem is a character-building opportunity, and the more difficult it is, the greater the potential for building spiritual muscle and moral fiber.
There is a danger when every building has to look spectacular; to look like it is changing the world. I don't care how a building looks if it means something, not to architects, but to the people who use it.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'
I'm fascinated by the period that goes from the Industrial Revolution to right after World War II. There's something about that period that's epic and tragic.
Character starts with the alphabet. Letters: words: sentences Character is a function of language—a collection of errors and deviations that resonate with certain behaviors. As with every other element in fiction, it is a record of a writer’s decisions.
When it comes to building character, wealth, good looks, athletic ability and even a high IQ are more likely to be impediments than advantages.
Every state of welfare, every feeling of satisfaction, is negative in its character; that is to say, it consists in freedom from pain, which is the positive element of existence.
Your character is your destiny. Building character is a task for the brave and dedicated. There are no shortcuts when it comes to building character. If you wish to cure minimalism in your own life, to develop a complete commitment to excellence and an absolute rejection of mediocrity, the question you need to start asking yourself is, "What is the most I can do?"
When you have an audience standing and screaming the entire way through the short program and cheering every element you do, whether it's footwork, or spin, or a jump, to have that kind of emotion coming at you from every direction in the building, it's the most amazing sensation you can get as a sportsman.
Sometimes every single element of a character is a torturous discovery.
Beauty is composed of an eternal, invariable element whose quantity is extremely difficult to determine, and a relative element which might be, either by turns or all at once, period, fashion, moral, passion.
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