A Quote by Shriya Saran
When I started working, there were times when I was the lone woman on set, apart from my make-up person. My mom would accompany me. Now there are many women assistant directors.
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Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
What restricts the use of the word 'lady' among the courteous is that it is intended to set a woman apart from ordinary humanity, and in the working world that is not a help, as women have discovered in many bitter ways.
There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.
I have the same interests as women. Well, apart from football and music, obviously. I've always had as many female friends as male ones. The novels I read as a young man were all by women writers, and when I started writing, I wanted to set my books inside the home.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
Once I started working as an assistant director, I just realized very quickly that working on a film set was just a perfect fit for me.
Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
I remember during my lifetime I would meet women, and it was almost like God would say to me, 'Now, this woman here is not the one you are going to end up with, but she is going to be a lot like this woman; look at this woman, study this woman.' And when my wife showed up, He was like, 'You recognize her now?'
When I came to Mumbai, I was working behind the scenes for 10 long years. Back then, music video budgets were insignificant and I had no assistant directors or art directors for most of the songs I directed.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
It's a huge change from when I started in the 1960s, but what is really impressive is that the number of ladies on set, the women working on set is a huge percentage. There used to be no women. It was just the leading lady's mother, perhaps the hairdresser and the makeup person.
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, "Well, we can't do that!"
I grew up on the sets of Bonanza and most of my (childhood) memory is (on the set of) Little House. I was actually an assistant cameraman on Highway to Heaven. So, I observed my father working for many years. He was a very giving person. I really respected the way he ran his sets. He never treated anyone differently - whether you were the guest star of the show or the grip. Everybody was treated with respect.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
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