A Quote by Shriya Saran

I enjoy every role that I do. But I would love to do a dance-based film. It can even be the biopic of a great Indian classical dancer. I want to push boundaries. — © Shriya Saran
I enjoy every role that I do. But I would love to do a dance-based film. It can even be the biopic of a great Indian classical dancer. I want to push boundaries.
For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.
I would love to make Madhuri Dixit dance. If I do a film with her, it definitely has to be a 'Madhuri Dixit film'. I don't want to cast her in a small role. I will do a full- fledged dance film with her.
I want to do a biopic as an actor. It's a thrill... I would love it if I am able to do a biopic.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I would love to hone my skills and learn Indian classical music. It's a vast sea of melodies and ragas, and I enjoy it immensely.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
'Time to Dance' is a very unique film as entire team has really worked hard. I am not playing dancer's role but I always try to entertain my audience no matter if it is serious or comedy role.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
I would love to work for the Indian Film Fraternity if the role offered suits my sensibilities.
If you want a dancer's body, dance. Dance aerobics is my favourite cardio. It's very frustrating if people think you have to become a dancer to do it - you don't.
I have always wanted to tell stories. Even as a classical dancer, I revel in telling stories through my dance.
It would be good if there is a biopic on me. But even if there is no biopic, then also it's fine.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
I would love to do a biopic based on Aung San Suu Kyi's life.
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