A Quote by Shruti Haasan

I am neither a method actor nor a trained one. So, I don't generally prepare for any role. Becoming the character and being in that moment are most important. — © Shruti Haasan
I am neither a method actor nor a trained one. So, I don't generally prepare for any role. Becoming the character and being in that moment are most important.
I am neither man nor angel. I have no sex nor limit. I am knowledge itself. I am He. I have neither anger nor hatred. I have neither pain nor pleasure. Death or birth I never had. For I am Knowledge Absolute, and Bliss Absolute. I am He, my soul, I am He!
I'm not a trained actor. I have neither read acting books nor gone to acting school. But I have certain fundamentals on how I approach a character; the basic skeleton of my preparation is based on observations from real life.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
Relativism is neither a method of fighting, nor a method of creating, for both of these are uncompromising and at times even ruthless; rather, it is a method of cognition.
I am not a trained actor, and for me, getting under the skin of a character, living their lives, is important, or the audience will catch my lie.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
O God, I confess I am not worthy to rock that little babe or wash its diapers, or to be entrusted with the care of a child and its mother. How is it that I without any merit have come to this distinction of being certain that I am serving thy creature and thy most precious will? Oh, how gladly will I do so. Though the duty should be even more insignificant and despised, neither frost nor heat, neither drudgery nor labor will distress me for I am certain that it is thus pleasing in thy sight.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
The goal I proposed myself in making cubism? To paint and nothing more... with a method linked only to my thought... Neither the good nor the true; neither the useful nor the useless.
In the world, there are countless Sadhus, Mahatmas, Mahapurushas, Saints, Yogis, and Walis, though the number of genuine ones is very, very limited. I am neither a Mahatma nor a Mahapurush, neither a Sadhu nor a Saint, neither a Yogi nor a Wali. I am the ancient One. The Highest of the High!
As an actor, it's my job to prepare myself for a role. If the character is realistic, one can't go wrong.
My studio works in cycles. I am consistent with all of the practices, but I give attention to one part for a certain amount of time. I say, "Okay, I'm making performances," and sometimes that means I can't be making photographic works. As I'm maturing as an artist, years have passed and I feel that I'm becoming a better craftsperson in multiple fields, but that takes time. Also, because I trained as an actor, I hold this thing about how an actor prepares and therefore I try to prepare for all of my tasks.
Where there is Love and Wisdom, there is neither Fear nor Ignorance. Where there is Patience and Humility, there is neither Anger nor Annoyance. Where there is Poverty and Joy, there is neither Cupidity nor Avarice. Where there is Peace and Contemplation, there is neither Care nor Restlessness. Where there is the Fear of God to guard the dwelling, there no enemy can enter. Where there is Mercy and Prudence, there is neither Excess nor Harshness.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
I think when you're a new actor in Bollywood, it's about seizing the moment. If you can prove to the audience there is an emotional vulnerability to your character, regardless of it being black or gray, I think the audience will accept you in any role - be it romantic or action.
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