A Quote by Shruti Haasan

As an actress, I should be playing my parts with conviction; otherwise, the audience won't be convinced. — © Shruti Haasan
As an actress, I should be playing my parts with conviction; otherwise, the audience won't be convinced.
The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.
It was my life, playing Juliet. From that moment on I was convinced I was going to be an actress. That was all I really wanted to do.
I am an actress, so my fans or the large audience should look at me as an actress on screen and love or hate me based on my performance.
There are so many actresses I want to write for. I see them, and I think, 'Why is she not playing that lead? What's happened to that actress?' I think all I can do is to write parts for women, to say, 'Keep going, keep acting, because there are parts for you. There will be those plays.'
Why, when I was a child, I didn't say, as most children do, that I was going to become an actress. I felt that I was an actress and no one could have convinced me that I wasn't!
I'm forever being told that I'm an odd-looking actress, so it's great playing parts where there's no vanity. You just look as rough as you possibly can!
If you're brought up Catholic, you're convinced of magic at a very early age. You're convinced the world isn't entirely real, which is a kind of conviction that never leaves you, for some strange reason.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
For if enough people were really convinced that growth should be halted, and if they acted on that conviction, then billions of others might be deprived of any realistic hope of gaining the opportunities now enjoyed by the more fortunate.
It was humbling to play Mark Ashton. He was a political activist and a humanist, and there is incredible conviction in his vision. But when you're telling a political story, humour is crucial; otherwise, it can be in danger of becoming a bit preachy, and the audience can feel like they've got an agenda coming full steam at them.
Conviction is possible only in a world more primitive than ours can be perceived to be. A man can achieve a simply gnomic conviction only by ignoring the radical describers of his environment, or by hating them, as convinced men have hated, say, Darwin and Freud, as agents of some devil.
I had no desire to be a star. I wanted to be a character actress and be able to do all kinds of parts and work on a lot of things. That was my unconscious choice. I wanted to be an undercover actress.
I am convinced that ... we have reestablished confidence. Wages should remain stable. A very large degree of industrial unemployment and suffering which would otherwise have occurred has been prevented.
My career is as an actress. I am an actress playing a comedienne.
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
All stories should have some honesty and truth in them, otherwise you're just playing about.
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