A Quote by Shruti Haasan

It really broke my heart when music took a back seat when I was concentrating more on films. It was like choosing between two children. — © Shruti Haasan
It really broke my heart when music took a back seat when I was concentrating more on films. It was like choosing between two children.
Choosing between the 50 m and 100 m is like choosing between your children. I have favourites on different days.
A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.
I started dancing at a young age. When I became busy with films and studies, dance took a back seat. Also, it was constricting for someone like me, who is not religious, to do something which is so deified.
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
Since reading 'Sophie's Choice,' I have been haunted by the agonizing idea of choosing between two children.
I think choosing between men and women is like choosing between cake and ice cream. You'd be daft not to try both when there are so many different flavors.
I feel like it took artists like Pimp C and Andre 3000 with 'International Players Anthem' - I feel like it took the Memphis sound to a certain peak but it never really broke into the mainstream.
The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things. What happened, happened.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
I went through a phase of deep introspection. I realised that while doing films back to back, I was getting burnt out and not concentrating on quality. I wasn't preparing for my role and was working like a machine. When I saw the result on the big screen, I felt that the work I'd done was horrible.
I took a back seat and did whatever it took for the team to win.
I had my boundaries and restrictions of doing films so I stopped working in the eighties. This was an era when films were more action oriented. Most of the characters cast in the pivotal roles were either daakus or police inspectors. My face suits neither of these characters. I cannot look like a daaku, so acting had taken a back seat.
Once, when I was young and true. Someone left me sad - Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
And there stood Basta with his foot already on another dead body, smiling. Why not? He had hit his target, and it was the target he had been aiming for all along: Dustfinger’s heart, his stupid heart. It broke in two as he held Farid in his arms, it simply broke in two, although he had taken such good care of it all these years.
There is a window between heart and heart: They are never separate like two bodies. Two lamps may not be united in their form - But their light merges into each other.
When choosing between two evils, I always like to try the one I've never tried before.
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