A Quote by Shruti Haasan

Breaking expectations, even as an audience member, is something that I have enjoyed. — © Shruti Haasan
Breaking expectations, even as an audience member, is something that I have enjoyed.
The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
Something that I think extends to a lot of African cultures is that the line between performer and audience is blurry. My mom would lead the wedding song regularly, and she isn't a professional singer. Even as an audience member, you're expected to clap and sing the response to the lead.
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.
I love being out there. as an audience member. It gives the audience a little bit of something different. Like, why are these wrestlers sitting in the audience? And why are they heckling at this guy and that guy?
You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member.
My dream was always to have an experience where an audience member would turn to another audience member, a stranger, and be like, 'What did we just go through?' And, like, kind of begin to talk.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
A pleased audience member is a pleased audience member, whether they're in New York or Mumbai.
I hate to lull the audience into letting them think that something is something. It's always fun to defy expectations.
Even though I worked hard at times, it was always magical. I have to confess I enjoyed every minute of it. Even the down times I enjoyed, because we were creating something that would make people smile and lift their hearts. You can't think of a better job than that.
People come with expectations and as a bandleader I constantly try to remind the audience to leave its expectations in the lobby.
You do a clean show and it's over and the audience have enjoyed themselves and you've enjoyed yourself, and you haven't had to resort to shock.
When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
Indians can identify with the Indian sensibilities, and rather than taking something from foreign films, it is always good to make a movie which has been enjoyed by a certain audience or in a certain part of India and make it available to a larger audience.
This site uses cookies to ensure you get the best experience. More info...
Got it!