A Quote by Shu Qi

I'm not really a money-oriented person. The press always write that I am. They don't seem to want to understand that I love the comfort of Japan and love the fact it's more peaceful, less frenzied than Hong Kong.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
I hope Hong Kong isn't just named Hong Kong but it can still be the Hong Kong we desire.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
I really feel that Hong Kong is my home, and Hong Kong is my identity as an actor.
I love the sense of belonging in Hong Kong. I love that it is such an international city. I love our food and our language. The people are energetic and passionate. I just really love this city.
My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
Hong Kong has been the place where the memory of Tiananmen Square lives on; Hong Kong people have become more and more committed in their resistance to authoritarian government, and also, not surprisingly, committed to safeguarding their culture and heritage as something distinct and worth preserving.
And that is the trouble with all lovers: they want more love, because they don't understand that the real desire is not for more love, but for something more than love. Their language ends with love; they don't know any way that is higher than love, and love does not satisfy. On the contrary, the more you love the more thirsty you become. At the fourth center of love, one feels a tremendous satisfaction only when energy starts moving to the fifth center.
You never really know what's inspired you or made you who you are, but I was really lucky that I got to grow up in places like Japan and Hong Kong that are super energetic and have this intensity to them.
Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.
love is thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky
Bo Innovation is there for anyone who comes to Hong Kong and wants to learn about Hong Kong in the shortest amount of time.
People in Hong Kong are stylish and fashionable, which is one of the many reasons making Hong Kong itself such an energetic place.
This site uses cookies to ensure you get the best experience. More info...
Got it!