A Quote by Shura

I've tried writing darker, more serious songs, but they don't go anywhere. Everything revolves around the chorus for me. — © Shura
I've tried writing darker, more serious songs, but they don't go anywhere. Everything revolves around the chorus for me.
'Ray Donovan' is very dark and very serious. As actors will tell you, the darker and more serious the material, the more jokes that go around set. It's a counterbalance.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I always wanted to do something that revolves around the darker side of sex, the pressure of it.
I basically make my living writing songs, so I've been able to go around in my trailer. If I got tired of a place, I could move on and roam around. It's a nice environment for writing songs, as opposed to sitting at a recording studio console all day.
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.
I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.
I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.
Most people are so stuck in their egos that everything revolves around me, me, and more me. But if you want to be rich in the truest sense of the word, it can't only be about you. It has to include adding value to other people's lives.
I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
I have a lot of friends, in and out of golf, and there is a mutual trust. I'm very serious at the course. Maybe if I joked around more around the press tent, your image of me would be different. But that's not me. And the golf course is my office. If I come up to you when you're writing a story, are you going to drop everything to talk? Or are you going to say you're too busy doing your job?
I still don't know how to drive. I don't go anywhere, really. My brother drives me. I walk around my neighborhood but I don't go anywhere, nor do I want to.
Be serious. Folk songs are serious. That's what Pete Seeger told me. 'Arlo, I only wanna tell you one thing. Folk songs are serious.' And I said, 'Right.'
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
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