A Quote by Shura
There are two ways of dealing with being odd. One is to really try and conform, and the other is to do the opposite and really make a thing out of it. At school, it wasn't that I was bullied, but everyone was very aware that I was different. I was kind of the token weird person that people accepted into their group, almost like an accessory.
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I went to a very mean school and was bullied like crazy. I was a bit of a goth with purple hair, and I was also part of the drama group, which was filled with actors and writers and wasn't really accepted by the rest of the school.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
There's this whole thing of being two people. You are the person you want to be - the writer - and then there's this weird other life of going on tour and talking about the writing. And that really is weird.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
A really good impressionist, even if they don't look at all like the person they're impersonating, it's a weird thing where they start to look like that person. It's kind of odd.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
Sexuality didn't come into it when I was bullied, but for so many years, being LGBTQ was one of the biggest things you would be bullied for at school. Hopefully, as time goes on, it will be a completely accepted thing that people won't have to think about.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
[Being in the States] is almost like being on a holiday. It's kind of annoying because everyone's like "Oh, you're so obsessed with America," but it's not really that. I just really enjoy being here - I'm not the first British artist to make music here and be inspired by the country.
We've got to learn from each other. We have to put ourselves out there, we want to pull the other up because we want/should pull the other line up as we all have strengths and weaknesses and together we make a stronger group, family, community, world. And so it becomes a beautiful idea that can be practiced in that dealing with a person with autism can be...It's just different. It's not weird.
In fact almost everyone in my yearbook wrote the same thing to me: "To weird girl, you're nice." I didn't think it was bad. When I showed my mother she said, "Everyone is different." Being weird became my tool. I'm weird; that's who I am. It was my coping badge.
I like being the odd one out in L.A. Because if you conform, you become something you hate. I love being the odd one out. It's not about 'Look at me! Look at me!' It's about really becoming someone else.
We are a very close family, and I love them very much, but I'm definitely the odd one out. I live a completely different kind of life style. I always was different. I felt like a fish out of water; I really never knew who I was.
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