A Quote by Shweta Bachchan Nanda

I once met a person three nights in a row and she told me the same story three times over. Unless you're discovering a new continent, there is no way you have anything new to tell people you bump into serially.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
Life begins at 40 - but so do fallen arches, rheumatism, faulty eyesight, and the tendency to tell a story to the same person, three or four times.
Sarah Palin has already had an effect on foreign relations... The new president of Pakistan, Ali Zardari, is in hot water, because last week, Sarah was on a class trip to New York, where she met foreign leaders... And one of the leaders she met was Zardari, and he was gushing over her. He said, oh, you're more gorgeous in person than you are on TV. And so the people in his home country of Pakistan, the Islamists, they issued a fatwa on him, for being too 'flirty.' And when Sarah today was told that Zardari had gotten a fatwa because of her, she said, 'I know, I felt it when he hugged me.'
I've always told my son Scott the same thing: Don't rush into anything, because there's gonna be a lot of fish in the sea. You can be one of the people that's lucky enough not to become a loser two and three and four times over like people do, just by being a little more patient.
There's nothing more annoying than losing your phone, but this happened to me not once or twice, but three times in a row!
I'm here to tell you I do [have a baby bump]. I am not pregnant, but I have had three kids and there is a bump.
Life begins at forty, but so does arthritis, and the habit of telling the same story three times to the same person.
The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
It's quite a trick to use three instruments to tell the story of two people, but Vores carried it off; three, for once, is not a crowd. Each member of the trio gets important solos, but there is also a real ensemble character.
I have got my story. Adoptees rarely get our stories. We only know what we are told. I don't even have my story, really. My mother won't tell me. She won't tell me who my father is. She won't tell me the story of my birth.
Someone once told me a story about long term relationships. To think of them as a continent to explore. I could spend a lifetime backpacking through Africa, and I would still never know all there is to know about that continent. To stay the course, to stay intentional, to stay curious and connected - that's the heart of it. But it's so easy to lose track of the trail, to get tired, to want to give up, or to want a new adventure. It can be so easy to lose sight of the goodness and mystery within the person sitting right in front of you.
My mom told me that she dislocated her fingers three times. And my dad: four times.
The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.
It once amused me that it took me three tries to pass my driver's test and that my driving instructor told my mother that I was the least talented person behind the wheel that she had ever taught.
There was one person who greatly and directly benefited my career--my agent Virginia Kidd. From 1968 to the late nineties she represented all my work, in every field except poetry. I could send her an utterly indescribable story, and she'd sell it to Playboy or the Harvard Law Review or Weird Tales or The New Yorker--she knew where to take it. She never told me what to write or not write, she never told me, That won't sell, and she never meddled with my prose.
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
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