A Quote by Shweta Bachchan Nanda
If there are two things you must be by the time you hit your 40s - be kind and be educated. If you don't have time for both - be kind!
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One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.
Think of it this way: There are two kinds of failure. The first comes from never trying out your ideas because you are afraid, or because you are waiting for the perfect time. This kind of failure you can never learn from, and such timidity will destroy you. The second kind comes from a bold and venturesome spirit. If you fail in this way, the hit that you take to your reputation is greatly outweighed by what you learn. Repeated failure will toughen your spirit and show you with absolute clarity how things must be done.
We had all this kind of freedom and 'get out of your head' kind of stuff and at the same time, we were trying to establish ourselves in the business. These two things are really difficult to bring together.
I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun. I hit 70 one time on a radar guy at one of those pitch-and-throw kind of things. I have a pretty good arm for somebody who's not a baseball player.
I had a two-hour VHS tape of Sakuraba and all his crazy stuff. He was doing crazy double flying chops with both hands and undressing the Gracie family one shoulder at a time, and probably my favorite fight of all time was when he fought in Heroes and was rocked and kind of out of it, and they stopped him and kind of shook him in bounds.
Bollywood has got this rare quality where it dances, but it still has a depth of a sad song at the same time. It's really strange. They kind of manage to do two things at once. We do a ballad, or a dance song, and it's very difficult. They kind of mix those two things together. It's pretty impressive, beautiful music.
I kind of grew up with a mix of two things. One was kind of this individual work ethic that my father and my stepfather and my mother all taught me, which was never depend on anyone else to do things for you, and work really hard on your own. At the same time, I benefited from the help of church and family and government my whole life.
I like to write without being stoned. I like to have a hit or two and then go punch up the writing. I just see different things and hear different things. But it's nice to be working from the base that I wrote originally and then come to it with a little buzz. I can have a little wine from time to time. I have a hit from time to time, but those are the only things I do.
On reflection, some things do super well because they hit with the time. Some things do super well because they are able to activate a kind of echo chamber or bandwagon or cascade - they didn't particularly hit with the time. Some things are just too astonishingly good to not hit the top. Those three explanations, with respect to the Star Wars phenomenon, seem to me all to pass the plausibility test, and to explore them, with respect to Star Wars, I think casts light not just on the saga of our time, but also on everything about our culture.
There are two different kinds of spectacular fighters. One is a subtle counter puncher who shows the work like chess. It's kind of an art, sports art. The other kind is when a guy has blood on all his body. That's a second kind of spectacular fighter, and people enjoy both. Both kind of fighters need to be respected.
I'm kind of sad and happy all the time. Just kind of like feeling, you know, full of life and confident, and at the same time terrified. I'm all of those things at once.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
We have this time to meet and do something, or just be together, and then we lose it and move to another kind of time, another kind of being, I guess. Those left behind must mourn, remember, and live on as we know.
People generally worry about social networking more than they need to. In kind of consumer internet investing and on social and professional networks, I kind of look at time spending and time efficiency. You know, time saving sites. So on time spending sites, things where you play lots of games or that sort of thing, you might worry about a productivity loss if people are spending a lot of time doing that. So if there's a lot of kind of addictive gaming going on during work hours, that won't be as helpful to you.
When you set a time and you hit that time, you are kind of satisfied. I never want to have that type of feeling.
The 60s were a continuation of the 50s much more than people realized. Certainly in some countries, like Britain, there was still a culture of deference, whereas in the 70s we really are in a time of angry transition. The generation that came into young adulthood in the 70s couldn't find jobs; that wasn't true in my generation. They entered a time when two depressing things hit them both at the same time.
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