A Quote by Shweta Tripathi

I am dying to share screen space with Richa Chadha. In 'Masaan,' we do not have a single scene together. — © Shweta Tripathi
I am dying to share screen space with Richa Chadha. In 'Masaan,' we do not have a single scene together.
Working with Akshaye Khanna and Richa Chadha was amazing. I am a huge fan of Akshaye sir.
Richa Chadha, she's amazing. I love her!
I have had some great co-actors to work with like Richa Chadha, Taapsee Pannu and Alia Bhatt. I really value these big co-stars because if they are in sync with you, it makes you a better actor.
Initially, it took me time to realise that I am sharing screen space with Irrfan Khan. But when I started working with him, a lot of times I would end up laughing in a scene.
I was one of the assistant dancers of 'Race' 10 years ago, and now I am one of the lead actors of 'Race 3,' where I have got a chance to share screen space with some of the legends of our country like Anil Kapoor and Salman Khan. I am overwhelmed.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
I would love to share screen space with Pawan Kalyan.
Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.
I'm happy I got to share screen space with established actors such as Vikram, Aishwarya Rai and Abhishek Bachchan and still was noticed.
The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
The combination of me and Raftaar sharing screen space together is in itself fire!
I would love to share screen with Aamir as we share a great comfort level. And ideally it should be a love story as it would be easy for us to romance on screen.
I am thrilled that DDLJ has beaten all records, Shah Rukh Khan and I share a close friendship that translates onto the screen. We have such fun working together. Shah Rukh has a great sense of humour. He invests incredible energy into his acting. He reads a lot. I share all these with him. I love books. I love his style of working and abundant refinement. I love him to death and would like to work with him again.
The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.
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