A Quote by Shweta Tripathi

I did Tamil film, 'Mehandi Circus.' I want to do Bangla cinema and other regional and foreign languages. — © Shweta Tripathi
I did Tamil film, 'Mehandi Circus.' I want to do Bangla cinema and other regional and foreign languages.
I have acted in nine regional languages and now I am ready to do a Bangla film.
Even in India the Hindi film industry might be the best known but there are movies made in other regional languages in India, be it Tamil or Bengali. Those experiences too are different from the ones in Bombay.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema, are exploring some really bold themes.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema are exploring some really bold themes.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
I love acting in Tamil cinema. I have decided quite consciously to do at least one good film every year in Tamil.
Nadunisi Naaigal' is new age Tamil cinema. I have tried to break the rules of regular cinema with this film.
I am not familiar with Telugu, Tamil or Malayalam and tend to feel they are foreign languages to me.
Richie' is so special to me. It's because this was the first Tamil film that I had auditioned for. I did not know the language well. I was an absolute newcomer. But I had the determination to speak in Tamil, as it was a very good role and I didn't want to let it go.
My dream is to become a director. I want to direct a Hindi film. I have two scripts ready. One of them is a fantasy-adventure, while the other is a thriller. I've assisted my brother Selvaraghavan, who's a well-known director in Tamil cinema. I've also made short films.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
Post-'Pellichoopulu,' I received a lot of offers from Tamil industry. I decided I won't do a Tamil film unless I know the language. If I want to do it, I wanted to do it perfectly.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
For 'Rakht Charitra,' I had to gain and lose weight. I simultaneously shot the film in three languages - Telugu, Tamil, and Hindi.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
'Baahubali' was really the film that broke most barriers of what regional cinema can do nationally.
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