A Quote by Shweta Tripathi

I would love to do a commercial film. But my hero is the script. — © Shweta Tripathi
I would love to do a commercial film. But my hero is the script.
I am a commercial hero, and I will never leave that genre. And having an image of a mass hero, I will spoil the whole script in the wake of being too experimental.
I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.
I prepared the script of 'Pataas', when working for 'Kandireega'. When I approached Kalyan Ram with the script, he liked it and said that he will produce the film with a big hero.
After 'Hero,' I was waiting for the right script and when 'Mubarakan' came to me, I knew I would enjoy working on a film like that.
When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.
Sometimes you read a script, and you just think, 'Wow, I would love to go and tell that story, and I don't even care what happens to the film, I would just love that experience.' And often, that mentality makes a great film.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
There is a regular format for songs in commercial films, such as a hero introduction song, but in 'Premier Padmini,' the songs and the background score aid the script.
The chasm between independent film and commercial film is now so wide. You either have to be super-famous and get a first-time director or writer's indie script off the ground, or you're a newcomer and go and put a cape on for four years.
I am not the hero of this film. It is Lakshmi Narasimha Swamy. The story is related to him. That doesn't mean that 'Kshetram' is a devotional subject. The climax scenes will have the audience in tears. No, it is not a sentimental drama either. Devotional values have been interspersed with commercial elements in this film.
I would love to do a Malayalam film if the right script and character comes along.
You know what I would love? I would love to be one of those actresses who can come out with a film or come out with a new commercial without the world knowing about it.
I would love to do anything from a really gritty, interesting, indie type film, to that commercial, bigger stuff.
I really liked the script of 'Alone.' I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
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