A Quote by Shweta Tripathi
As actors, you have to keep showing variety in performance, as people are lazy to think about you in a different way.
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I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
Before, I wished my acting and my identity to be strictly separated. I felt uncomfortable about showing who I am because I was afraid it would affect how audiences see my performance. But now my thoughts have changed. I think people these days accept that actors and the roles they play are separate.
I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.
For the actors, there's something very important about that first showing of the scene to the crew, becomes like a little performance.
I think every case is different. Every situation is different. People come on the F.B.I.'s radar screen for a variety of reasons at a variety of times.
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
I'm passionate about actors, and I'm passionate about showing actors in different lights.
I think I play better when people say keep showing us what you've got, keep showing us. And whatever's going to get me to play at a high level is what I want to do.
I always want to keep growing and keep surprising people, and showing them different parts of me.
I don't mean to criticize anyone in any way that I wouldn't criticize myself. I think people should have fun, and have a good time, and enjoy the luck that we have to be lazy and dwell in consumerism. But I think that it's a balance. And our job as actors is empathy.
From what I see, people of color are being called on in a different way. We're being heard in a different way - louder. And I think it's such an exciting time. The power structure is being redefined, and we're redefining beauty with the stories that we're telling and the women we're showing on our covers.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.
Most actors try to do as many different things as possible. I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance. And you have to keep tapping new parts of yourself, keep working or you never improve. The only way to improve is to set yourself harder goals.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
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