A Quote by Shweta Tripathi

I'm always very keen to learn a skill or a language for my films. — © Shweta Tripathi
I'm always very keen to learn a skill or a language for my films.
Honestly, I was always very keen on acting in the South Indian films. I think people here have a notion that Bollywood actresses aren't keen on doing films here but let me tell you, we are.
The language skill in the U.S. for the most part has been awful. Many Americans don't learn any foreign language.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
I've always been very keen on Pascal, and what I'm most keen on in Pascal is his emphasis upon human wretchedness. He has a phrase which goes something like 'Anxiety, boredom and inconstancy, that is the human condition' and I've always been very partial to that.
There are a lot of guys out there with skills who have not contributed to the evolution of the instrument. It's about more than that...it's an emotive language, an aesthetic. Skill is an aspect, but it's what you do with that skill, or say with that skill, that matters.
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
Art is a language. It's not a skill. It's not a stunt. It's not something that you just learn to do and put it down. It comes from the heart.
I'm a really trusting person and I always have been. I just think I've cultivated a very keen skill of recognising someone I shouldn't trust, pretty readily. A person has about 15 to 27 seconds before I'm pretty sure whether or not I can trust them or not.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
We should replace bilingual education with immersion in English so people learn the common language of the country and they learn the language of prosperity, not the language of living in a ghetto.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
My mother was very keen I learn dance and I learnt so many forms.
When you play eleven a side, you might go through a game with very few touches, but with street football, you're always involved in the game, so it is a great way to improve your skill and to learn how to create and use space, as the pitch is very small.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Silence is God's language, and it's a very difficult language to learn.
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