A Quote by Shy Glizzy

I don't want to be stuck in the same spot, just dropping mixtapes for no reason. — © Shy Glizzy
I don't want to be stuck in the same spot, just dropping mixtapes for no reason.
I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.
I feel like if you're stuck doing the same thing your whole career you've got to be doing something wrong. Unless you're getting great results from it or you're just comfortable in that spot.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
Ultimately, the main reason that you want more women in the sciences is the same reason you want more gay men in the sciences. It's the same reason you want more Latinos or African Americans; it's because if you come at a problem from a different perspective, you will be offering a creative vision that wasn't there before.
I'm not really a folk singer, but I love the music and there's certain lines that will get just stuck in my head, and they seem to be stuck there for a reason, and I start singing them.
Favorite rap album? Damn. Lil Wayne's mixtapes... He got a lot of good mixtapes like 'Da Drought 3.'
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
You have to be as light as you can be and not get weighed down and stuck in your emotion, stuck in your body, stuck in your head. You just want to always be trying to elevate somehow.
When I went to AI New England in Boston, I used to do my mixtapes, and honestly, if you look back at any of my mixtapes, every single mixtape tells a story.
Just hold on. Just for a minute." "Are you all right ?" I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong. "I'm fine. I just...I don't want to go in just yet. I just want to sit and not have to think about...I just...want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.
I fell into the theatre because I felt I was doing it well, and I stuck to it for the same reason.
The reason to retire is to try to avoid embarrassment; you ought to do it before people are dropping big hints. You want to be the first to come up with the idea. You don't want to wait until you trip and fall off the stage.
I don't think we have a surplus of fine educators in this country that we can just start dropping them for no reason whatsoever.
I don't feel like it's pressure. It's more of an obligation - not to entertain or be funny, but to have a certain levity. I mean, there's got to be a lightness in your leg. You have to be as light as you can be, and you don't have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
I just don't want to be one of those guys that's stuck fighting the same opponents again and again.
Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.
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