A Quote by Si Robertson

Some people say I’m a dreamer, others say, 'If you fall asleep at work again we’re going to have to let you go'. — © Si Robertson
Some people say I’m a dreamer, others say, 'If you fall asleep at work again we’re going to have to let you go'.
I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight. Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater." But I say unto you, they are inseparable. Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed. Verily you are suspended like scales between your sorrow and your joy.
You have to say, 'We think it's going to work. Let's go with it.' Either you're going to kill the world, or you're going to fall on your rear end.
I think music can define our lives. It's interesting when we meet our heroes; sometimes they really let us down, and sometimes we realize that they're just other human beings like us, with the same drama and fears and everything else going into their lives. I've worked with lots of people at different stages of their careers - going up, going down. Some people I've worked with I would never want to work with again, and some people would probably say they never want to work with me again. But all in all, it was definitely cool.
I tried. But I feel that I haven't given utterance to the thousandth part of what lies within me. When I go to the grave I can say as others have said, "I have finished my day's work." But I cannot say, "I have finished my life." My day's work will begin again the next morning. The tomb is not a blind alley; it is a thoroughfare. It closes on the twilight, but opens on the dawn.
Going from Army base to base as a kid taught me to be a man of all nations. I'd go to the Jewish people and say, 'Shalom, brother.' I go to the Muslim people and say, 'Salaam aleikum.'I go to the Chinese people and say, 'Nee hao mah,' which means, 'How you doin'?' I go to the Japanese people and say, 'Konnichiwa.' I go to San Antonio, Texas, and I get along with Mexicans. Then I go to Louisiana and hang with the Creoles. Moving around a lot made me a man of all people.
Some people say 'flutist.' Others say 'flautist.' I just say 'flute player.' That's what I was.
Some readers and commentators really want to scrape your insides out to make sense of your work. Others say, there's the work, it speaks for itself. Personally, I fall somewhere in the middle.
I like to control everything, and you cannot control everything. You have to at some point say, 'I let go and I'm going to let the cards fall where they fall... For a #? controlfreak , it's hard.
I get a lot of e-mail messages from people who say thanks for giving them a place to vent, an outlet to say what they can't say in real life with friends and work colleagues - things that they know are wrong, but they still want to say. Is it right? No, of course not. People say some disgusting, vile things.
Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
I like to control everything, and you cannot control everything. You have to at some point say, 'I let go and I'm going to let the cards fall where they fall... For a control freak, it's hard.
I'd work eighteen-hour stretches and fall asleep in my clothes. Then I'd wake up in the middle of the night, brew a pot of tea, and start work again. I was tired, but work had become pure enjoyment.
'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
I would say this: no matter what style you play, at some point, the team that beats you, people are going to say, 'I guess your style doesn't work.'
The rule of songwriting: say what you want to say, say it again, say it a different way, then say it again.
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