A Quote by Sia

I don't know anything about the history of music. — © Sia
I don't know anything about the history of music.
I really don't know anything about music. I don't really listen to it. I don't know anything about the history of music.
Elvis Presley once said that I don't know anything about the music. It is because he is the music itself! The nightingales don't know anything about the music!
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
Music just gives me so much energy and inspiration. Music and literature in a way probably influence me more than cinema does because they're different forms and yet related. I probably know as much about music history as I do about the history of cinema.
I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
If you know anything about me and my history, you know I'm very particular about my projects.
I've discovered that most critics themselves are cinematically illiterate. They don't really know much about movies. They don't know the history. They don't know the technology. They don't know anything. So for them to try to analyze it, they're lost.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
If someone wants to make very, very original music that no one has ever heard before, you shouldn't know anything about music. It just narrows you down, you know?
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
I really don't know anything about music, and it's no great experience for me. But I do think that music has a purifying element.
I don't know anything about American history or presidents. I don't know what tailgating is! I've never been to an Olive Garden!
I don't read music. I've never had a lesson. I don't know anything about music other than what my inner knowledge is.
We don't know anything about Scottish history. All we know is that an American guy painted his face blue and somehow they won.
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