A Quote by Sia

Knowing now what goes into making a successful artist, it's disheartening. — © Sia
Knowing now what goes into making a successful artist, it's disheartening.
During my performances, I don't like folks to take pictures because I feel that we live in a very photographic time. Photography was invented over 100 years ago, and now it's at its peak because everyone has a camera. The fact that they are taking experiences and filtering them through a mechanical lens I find amazing, but also disheartening. Amazing when you have photographs that start revolutions. Disheartening when you have people making photographs but not living.
My process in making a music video is pretty much a formula of talking to the artist. I've never made a video where I didn't talk to the artist before I wrote the treatment. Basically, I enter into it knowing we are collaborators.
If people are highly successful in their professions they lose their sense. Sight goes. They have no time to look at pictures. Sound goes. They have no time to listen to music. Speech goes. They have no time for conversation. Humanity goes. Money making becomes so important that they must work by night as well as by day. Health goes. And so competitive do they become that they will not share their work with others though they have more themselves. What then remains of a human being who has lost sight, sound, and sense of proportion? Only a cripple in a cave.
We all have a purpose in life and I believe this being an activist is mine, so that's one of my driving forces. The second driving force is knowing that I'm actually making a difference to people's lives. Knowing that women are saying that their young daughters are looking up to me now, knowing that I've helped someone to not commit suicide. Getting messages like that are very powerful.
One of the big parts of my decision-making process is knowing that when you're signing up for something, you're signing up for multiple seasons, should it be successful, and in theory, you want it to be successful, but you also want to be doing something that you're enjoying.
An artist who goes around proclaiming that the art he's making is art is probably making a serious mistake. And that's one mistake I try not to make.
That attitude, that persona I carry is something I've always had with me. I mean, that's what made me successful, especially in football, and is making me successful now.
Right now you can allow yourself to experience a very simple sense of not knowing - not knowing what or who you are, not knowing what this moment is, not knowing anything. If you give yourself this gift of not knowing and you follow it, a vast spaciousness and mysterious openness dawns within you. Relaxing into not knowing is almost like surrendering into a big, comfortable chair; you just fall into a field of possibility.
I don't think most people who listen to music are that interested in all the work that goes into making it. It's the artist you like.
I want to be successful. Not just money. Just making a successful record and a successful show... I could feel successful without selling a million records.
One does not have to be a philosopher to be a successful artist, but he does have to be an artist to be a successful philosopher. His nature is to view the world in an unpredictable albeit useful light.
Now, success is not the result of making money; making money is the result of success - and success is in direct proportion to our service. Most people have this law backwards. They believe that you're successful if you earn a lot of money. The truth is that you can only earn money after you're successful.
What I know now is that everybody in life, no matter where you are or what you do, must be able to sell in order to be successful. I used to believe that I could be successful on talent alone. What I realize now is that I can only be successful if I can have people buy my talent.
I was an underground artist, but the underground status was successful. Coming from where I came from to see where rap is now, now artists are selling from a million to eight million copies.
As a developer, it's a great feeling knowing you have made an impact. There's also a lot of responsibility that goes with that: you have to really put the city's needs first. It's not all about making money.
I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.
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