A Quote by Sia
The 'victim to victory' theory is that, if you listen to the radio, a large percentage of the hits are... about victim to victory, like, 'I'm having a terrible time.' And then the pre-chorus is, 'I don't know what's gonna happen next.' And the chorus is, 'Now I'm brilliant, and everything is great, because something happened to make it great.'
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Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Being a victim doesn't take much. There are built-in excuses for failure. Built-in excuses for being miserable. Built-in excuses for being angry all the time. No reason to trying to be happy; it's not possible. You're a victim. Victim of what? Well, you're a victim of derision. Well, you're a victim of America. You're a victim of America's past, or you're a victim of religion. You're a victim of bigotry, of homophobia, whatever. You're a victim of something. The Democrats got one for you. If you want to be a victim, call 'em up.
When you're a victim, you automatically have a built-in excuse for failure. When you are a victim, it's always somebody else's fault. When you're a victim, success is not possible. When you are a victim of something, you are acknowledging that you are as far as you're gonna get, and you can't get any further, because there are more powerful forces arrayed against you than the force of yourself against it.
The pre-chorus always flows and the chorus is always a little bit harder for me because I put pressure on myself. I didn't know that there was a proper way to do these things, so I just write what sounds good to me in my ears and then I hope to God that someone else likes it too.
And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.
We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.
It's a strange experience watching your work emerge on screen, because at one time I know exactly what's gonna happened next and then I have no idea what's gonna happen next, so it's very exciting in that way.
Alice thought to herself, 'Then there's no use in speaking.' The voices didn't join in this time, as she hadn't spoken, but to her great surprise, they all thought in chorus (I hope you understand what thinking in chorus means--for I must confess that I don't), 'Better say nothing at all. Language is worth a thousand pounds a word!
Dear friend, I feel great! I really mean it. I have to remember his for the next time I'm having a terrible week. Have you wer done that? You feel really bad, and then it goes away, and you don't know why. I try to remind myself when I feel great like this that there will be another terrible week coming someday, so I should store up as many great details as I can, so during the next terrible week, I can remember those details and believe that I'll feel great again. It doesn't work a lot, but I think it's very important to try.
You know for some strange reason I like to write the verse first. I mean I know the majority of people do the chorus first and when I think about it, I guess it does make more sense to do the chorus first, but I just like to write the verses first, I don't know why.
There were some days where I was like, you know what, I don't relate to everything that I'm hearing on the radio right now. Because I'm having a bad time, I'm having a rough day, I'm experiencing something that is making me feel alienated in this emotion because everything I'm hearing is about the opposite.
There's something about making a song that everybody can sing and remember, and when you listen to it the first time, you already know the words by the second chorus, like you've always known the song. I'm obsessed with that idea.
You can't think and act like a victim and expect victory.
I wrote the chorus specifically for 'Same Love' as a narration of my story. I decided to release 'She Keeps Me Warm' as an extension of the chorus because I felt like there was more that needed to be said.
They attack the victim, and then the criminal who attacked the victim accuses the victim of attacking him. This is American justice. This is American democracy and those of you who are familiar with it know that in America democracy is hypocrisy. Now, if I’m wrong, put me in jail; but if you can’t prove that democracy is not hypocrisy, then don’t put your hands on me.
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