A Quote by Sia

I just want to be a good storyteller. — © Sia
I just want to be a good storyteller.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
I think of myself in the oral tradition-as a troubadour, a village tale-teller, the man in the shadows of the campfire. That's the way I'd like to be remembered- as a storyteller. A good storyteller.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
I want to be seen as a good storyteller. I'm a manipulator as well.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
I'm a storyteller, not a prophet. I'm just interested in a good story.
I'm a very good storyteller; I have a lot of compassion for people. That's very useful for a novelist. A lot of novelists are snots. They're just mean people. I'm not a terribly skilled stylist, nor do I want to be. I want a lot of people to read one of my stories and go, 'That was pretty cool.'
I am first and foremost a storyteller; I want to tell a good story, and I want it to mean something - something that I think is important.
I see myself as an explorer more than a storyteller. A great storyteller, in control of her craft, must be the same person when she finishes telling a story as she was at the start. But I want to be transformed by my filmmaking, by the journey I take.
I'm hardly a known name, but I don't want to go, like, 'Oh, people call me a storyteller comedian, let me just go up and just talk about my day.' I don't want that to happen.
The one thing I want to do - and I am doing - is starting my own production company, for me to produce and direct in the future. Have a bit more say and control - become the storyteller more than just the character. I want to choose the story, plant the seed, and watch it grow. I just want to have a bit more involvement.
Most of all, I love being a storyteller. And yes, I want to make a good living, but I'm not always driven by the best commercial sense.
I really just want to be a writer and a storyteller. But maybe pain is one of the things you have to feel in order to be creative.
When you're just starting out, and someone you think is a real storyteller says something good about you, that helps.
The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
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