I was naive in that I thought I could just sing and perform and do what I had always wanted to do all my life. But I wasn't ready for all the added dramas that came along. There were times I fell out of love with music and thought about walking away. I thought I was happier when I was that girl at home in my bedroom singing into my hairbrush.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway.
When I started making music I wanted it to have a narrative and be conceptual, but as time went on I thought it was probably more practical for a first album just to have good music.
I think there's just been this "thing" that's developed, this way that we have of talking about our music that alienates people. And I fall into that too! I learned that in graduate school. You just talk about your music in a specific way, and that separates people from you. But some composers like that. Schoenberg liked that. He wanted to feel that he was making music for an elite few. That's fine for him, but I want to set myself free from that sort of attitude.
I hadn't really thought about the kind of music I wanted to make. I was just making raps and stuff. I thought that was the coolest thing in the world.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
When I began making electronic music, the only thing I was thinking about was creating music that I really liked. I didn't think about what effect it would have; I was busy doing it.
I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
My whole view of music completely flipped over on its head. I grew up listening to punk rock, SST. I liked people that were making music that weren't necessarily very good at their instruments, it was more about the ideas they had than how well they could play and sing.
I really think there are two genres of music: good music and bad music. And I'm just trying to be on the side of making good music.
Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
I was never successful in a noteworthy way, no one wrote about me, and I didn't have recognition. I've met a lot of musicians along the way who thought I was good, and they knew that was important to me. Having a simple career as a musician who liked music was good enough for me.
Up until I started working with him, I had thought that music was a nice thing that I enjoyed and liked making, but it wasn’t a serious healing modality. What Dr. Sacks has proven is that music is actually a quantifiable, profound healing modality.
Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.