I've been acting since I was 5 years old, from primary school to secondary school, did training at drama school, which was the big thing for me because they trained me, put me out into the industry.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I did school plays, and then, at the age of 18, I applied to drama school in London, and I got in. I've been very lucky that no one so far has stopped me from being able to live my dream - the industry or my parents.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
I went to an arts high school and was surrounded by drama students who dreamed of working in the industry. I almost feel a sense of guilt, because I didn't go to acting school.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
The most common experience in my life is rejection. I've done over 300 auditions. No amount of drama school training can prepare you for that, in theory.
I went to drama school but soon realised I was terrible at acting, so I ditched drama school for art school.
The wonderful thing about drama school is that it stretches you in a way the industry doesn't.
Drama school was the first place I learned that looks can affect your career. It was very horrible at the time. I had a lot of very bad experiences at drama school because of that, from the teachers and the students. In the end, I think it was good for me because it hardened me to the realities of the business early on.
You don't have to necessarily go down the drama school route, or have connections in the industry. You can just make it.
My next step must be to go to drama school. Well, I get into drama school, so I did that.