A Quote by Sian Clifford
For me, playing characters is always about an energy and feeling it in your body. That's when I know that the character arrived.
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My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
I always had a struggle, which I still do, when you're playing a character and it's not necessarily your morals or your values. You're playing a character, but the way the media will sometimes ask you if these are your opinions, you know - they make you responsible for that, and I take issue with it because I don't believe in censorship.
If you want more energy, put yourself in situations where energy is required. Your body will naturally respond and always produce the energy you need, but not if you're just sitting around complaining about not having enough energy.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
My process as an actor is all about energy, just feeling the person in your body. I can feel their rhythm, I can feel how they speak, and I know what their response will be to everything.
Style to me is a mix between rock star chic-quirky-sexy and expressive. I always dress for my body type, as it's important to highlight your pluses! I like edgy clothes that have character. I usually dress by the mood I'm in - so if I'm in my ripped jeans and leather jacket, you know I'm feeling rebellious!
As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
I enjoy playing a quintessential antihero. There's something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.
I have played several characters that are crabby and cranky. I don't know if I'm just not a very well-developed human being or if I don't know myself very well, but I tend to find I can take on elements of the characters that I'm playing. When I was playing a character like Becky Freeley in Miss Guided found that I was insanely positive and happy all the time.
I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you.
I see myself as a character actor, and I've always been drawn to playing characters that are different from myself because acting is escapism for me. I've never been that comfortable playing people that are like me.
Playing tricky poker doesn't have to mean making bizarre moves or playing way out of character. Rather, it's simply about taking advantage of what you know about your opponents and how they perceive your style of play.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
When you're actually feeling a character and you're going through the real emotions, and you're not fake acting, that energy stays with you and sometimes you can't get it off for days. It just resonates in your body, unless you have some sort of release, whatever it is.
I am not a Christian or a Jew or a Mohammedan, a Mormon, Polygamist, Homosexual, Anarchist or Boxer. . . . I do not believe that, in order to be religious in the good and genuine sense of the word, one has to ruin one's love life and has to become rigid and shrunken in body and soul. I know that what you call "God" actually exists, but in a different way from what you think: as the primal cosmic energy in the universe, as your love in your body, as your honesty and your feeling of nature in you and around you.
Our job is to unleash the play. It's not just about your character or interaction with the other characters. There's an energy in all good plays which you have to find. And that is part and parcel of ensuring that an audience gets what it's about.
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