A Quote by Sibel Edmonds

During my work there I came across some very significant issues that I started reporting in December of 2001 to the mid-level management within the FBI. — © Sibel Edmonds
During my work there I came across some very significant issues that I started reporting in December of 2001 to the mid-level management within the FBI.
People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
The polls show that concern over inequality among the general public rose pretty sharply after the Occupy movement started, very probably as a consequence. And there are other policy issues that came to the fore, which are significant.
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
The FBI demonstrated this by taking down the former head of the CIA [General David Petraeus] over classified information given to his mistress. Almost no-one is untouchable. The FBI is always trying to demonstrate that no-one can resist us. But Hillary Clinton very conspicuously resisted the FBI's investigation, so there's anger within the FBI because it made the FBI look weak. We've published about 33,000 of Clinton's emails when she was Secretary of State.
I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
What happens when I'm dealing with the problems in North Korea and the Middle East? Are you folks going to be reporting all that very, very confidential information, very important, very - you know, at the highest level? Are you going to be reporting about that, too? So I don't want classified information getting out into the public in a way that was almost a test.
When I came to WWE back in the day, I'd been working seven-and-a-half years, and I was very frustrated. I started getting some momentum, and my work was very vicious, and it was very believable.
'Pearl Harbor' is definitely about December 7, 1941, but it is not of December 7, 1941. It's not even really of our age, either. It has more of the feel of a film from, roughly, mid-war.
I had made a couple of records in Europe. One as a leader, and one as a sideman before that. It was what it was. I started to work with Maria Schneider around that period and some other people, I started to get called to sub at the Vanguard in my mid-20s.
Back from 2001 to 2003, I wrote multiple editorials for The Washington Post about biological warfare and pandemic preparedness - issues that were at the top of everyone's agenda in the wake of 9/11 and the brief anthrax scare. At the time, some very big investments were made into precisely those issues, especially into scientific research.
It's important in our role as leaders that we use the platform to address issues, to address barriers, to identify best practices for overcoming these challenges with businesses small and large. Maybe there are some public policy issues that we need to address. Maybe some of them are at the federal level and some are at the state or local level.
Right after undergrad, I started doing low-level work on health issues in sub-Saharan Africa, and what struck me was the disconnect between how people in New York would speak about some of the issues people were facing. At the time, 2006-ish, there were a number of big media campaigns to raise awareness about HIV in sub-Saharan Africa.
Too often, companies focus on systems and structures that facilitate cultural change at the mid-management level, overlooking problems closer to the top.
I have always found that if, while creating an artwork, the artist constantly feels that some accident would occur if he is not careful, then it is a very significant moment and a significant work.
The list of non-democratic regimes that have seen significant reforms since 2001 is long and significant.
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