A Quote by Sibel Kekilli

It's hard when you're not a native speaker, because everyone's laughing, and you're like, 'What was that? Can you tell me again?' — © Sibel Kekilli
It's hard when you're not a native speaker, because everyone's laughing, and you're like, 'What was that? Can you tell me again?'
I did Christmas plays at school, but they banned me because I was messing about. And I was like, 'Ah, why?' Because I was getting attention, everyone was laughing at me and I was loving it, I thought, 'This feels good!'
I did ride a bike on the streets of Manhattan with four-and-a-half inch heels. Is that fun... or a death wish? You tell me. I was in severe pain, and everyone was laughing at me. That was great. I like when people laugh at me when I'm in pain.
As a comedian, I don't know if they're laughing because it's funny or if they're laughing at me because I'm not funny. And I'm thinking, 'Who cares? They're laughing.' If you go on stage, and they're laughing at you full-on for 60 minutes? You know, whatever puts them in the seats.
And I cannot tell you how much I appreciate that because the days are long, the road is hard, the trials are there and I never know when, I have this little gray cloud that's over my head, when it's gonna start raining on me again. And I do need everyone's prayers. But I also believe that we're here for a purpose, and Mitt is prepared.
No Angie, it's instant. Like when someone trips in the cafeteria and you're laughing so hard milk comes out of your nose, the guy next to you is laughing so hard he accidentally farts. BOOM! Friends for life!
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.
People make a lot of jokes about the empty nest. Let me tell you, it is no laughing matter. It is really hard.
What do you mean? Grace Brisbane, you do not mean that you're not going back home again. Tell me that this was just because you were momentarily angry at them for grounding you. Or even tell me it's because you could not live without The Boy's stunning Boyfruits for another night. But don't tell me you think it's forever!
I lost that excitement I had when I first started out. It was all about the need to just get a job, and so I found the joy again when I was writing Deuce Bigelow. I was laughing so hard and along with my writing partner at the time, simply laughing until we cried
I lost that excitement I had when I first started out. It was all about the need to just get a job, and so I found the joy again when I was writing Deuce Bigelow. I was laughing so hard and along with my writing partner at the time, simply laughing until we cried.
I have four relatively small children, and around fourth grade, they start doing big projects on Native Americas: everything is Native Americans in elementary school. Do you know how many Native American dresses I've sewn, on and on; it's a full yearlong study. And then never again. As journalists, we never even cover Native Americans.
I never aspired to be Speaker simply so I could say, 'I am the Speaker of the House of Commons,' and tell my children that.
You know when you tell a self-deprecating story at a dinner party, everyone's laughing along with you? But then when someone else repeats that same story at another dinner party you feel they're all laughing at you?
I was talking to my publisher, Jamie Ceretta, who's one of my closest confidants and allies when I'm working on new music. I feel like I can always count on his judgement because he'll tell me if he doesn't like something. It's sometimes hard to get people to tell you if they don't like something.
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