A Quote by Sibel Kekilli

I have a coach, but I'm not theater-trained or a technical actor. — © Sibel Kekilli
I have a coach, but I'm not theater-trained or a technical actor.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
I trained as a stage actor and was given a lot of technical tools to play with.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I'm a geeky actor, in the way that I like the craft of acting. I trained as a stage actor and was given a lot of technical tools to play with. I like the craft of acting. It sounds geeky when I say it, but it's true.
I hadn't trained to be a coach. That takes great training. Being an assistant under a Coach Lombardi or a Tom Landry or whoever, that prepares you to do a better job when you become a coach. I hadn't received that training. It showed.
I trained as a singer before I was an actor. I was a kid singer, I went to theater and choir school, and then I got music scholarships throughout my education. And that's what I was going to do. And then I took a left turn and went to drama school and became an actor.
I am a trained singer, but I had to unlearn how to sing with a coach, because Diana wasn't trained.
I was trained to be more technical in Europe because that's the audience. They enjoy a more technical style.
I trained as a theater actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.
I don't feel comfortable doing movies. It's not what I trained to do. I trained to be a theater actress. You put me on a stage in front of 2,000 people, I know what to do.
I trained in theater. And I started in theater with my first two jobs doing stage plays.
I trained at a conservatory as a mezzo-soprano and was a musical theater major in college so I had a theater background.
What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.
I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.
I was trained to be an actor, not a star. I was trained to play roles, not to deal with fame and agents and lawyers and the press.
The fact that I wound up doing television and film was just a thing that happened, but I was trained for the theater, and what goes on in the theater has nothing to do with special effects.
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