A Quote by Sibel Kekilli
When I act, I try to understand the character, why she's behaving like that.
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You just need to put yourself in someone else's shoes and then see how they feel and then you will understand why they are reacting or why they are behaving the way that they are behaving. We need to be fair.
One of the things I've learned in playing a character like Becca from 'You're the Worst' is that there really is such a joy and freedom in behaving badly and in being a character that you do roll your eyes at. She's just so delicious to loathe.
I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.
If you are uninterested in what I say, there's an end to it. If you like what I say, please try to understand which previous influences have made you like it. If you like some of the things I say, and dislike others, you could try to understand why. If you dislike all I say, why not try to find out what formed your attitude?
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
"Aren't you frightened?" Somehow I expected her to say no, to say something wise like a grownup would, or to explain that we can't presume to understand the Lord's plan. She looked away. "Yes," she finally said, "I'm frightened all the time." "Then why don't you act like it?" "I do. I just do it in private." "Because you don't trust me?" "No," she said, "because I know you're frightened, too."
You know, my sister, she does my hair, and she says, 'Why don't you try changing your hairstyle?' And I go, 'I like it. Why would I change something I like?'
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
Of course, when you work on a character, you try to understand her. You feel that everything she does has a reason.
My mom will never march in a gay pride parade with a big sign. She is very private. She lives in Chattanooga. She tries so hard to understand me and my life. But she said to me once, "Leslie, if I live to be 105 I'll never understand this need you have to air your dirty laundry. Why can't you just whisper it to a therapist?!" She doesn't understand.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
She was brave and would try anything. But she was never very confident. She didn't even think she was particularly beautiful - which turned out to be a good thing because it made her act like a real person instead of a sex symbol.
I don't think you have to like a character, but if you can understand why they do what they do, or the position they're in or why they make certain choices, then you can get behind them.
You must get Israelis to understand the feelings and the hopes and the traumas of the Palestinians. You have to get the Palestinians to understand why Israel is behaving the way it does: What is the legacy of the Holocaust, what are the fears of average Jewish people?
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